Trump’s nuclear bombs, Bob Dylan musical parody


This 26 August 2019 musical parody video from Britain is called Blob Dylan – Blowin’ Up the Wind (Trump/hurricanes song).

It is a parody of the Bob Dylan song Blowin’ In the Wind.

It says about itself:

Donald Trump is Blob Dylan on hurricane-nuking new single “Blowin’ Up the Wind”.

LYRICS:

How many nukes must a man deploy
Before he can kill hurricanes?
How many times has the bomb saved our ass?
Just ask ISIS and Saddam Hussein
Yeah, and how many times must I float this idea
Before they stop saying I’m insane?
The answer, my friend, is blowing up the wind
The answer is blowing up the wind

Yeah, wind is tremendously dangerous
Windmills give you cancer, it’s true
You probably ought to listen to me
I’ve got a 150 IQ
I’m not taking shit from no hurricane
They’re worse than a disloyal Jew
The answer, my friend, is blowing up the wind
The answer is blowing up the wind

Patti Smith and Bob Dylan’s Nobel Prize


This Bob Dylan music video from the USA is called A Hard Rain’s Gonna Fall {Live at Town Hall 1963}.

The song has often been interpreted, including by Dylan himself, as about the danger of nuclear war.

On the other hand, Dylan later claimed the song was really about ‘all the lies that people get told on their radios and in their newspapers‘.

From Rolling Stone in the USA, 5 December 2016:

Bob Dylan to Provide Nobel Prize Speech, Patti Smith to Perform

Smith to cover “A Hard Rain’s A-Gonna Fall” at Nobel gala

Bob Dylan, this year’s Nobel Prize in Literature honoree, will not attend the December 10th gala in Stockholm, but his music will still be performed. On Monday, Nobel organizers announced that Rock Hall singer-songwriter Patti Smith, who was previously set to perform her own song, will cover Dylan‘s “A Hard Rain’s A-Gonna Fall” at the ceremony.

This music video is called Patti Smith Greatest Hits [Full Album] || Patti Smith’s 25 Biggest Songs.

The Nobel Prize committee announced Monday morning that Smith would fill in for Dylan at the Stockholm gala, with Smith also taking part in the Nobel Week Dialogue event the day before on December 9th, where she’ll discuss the “importance of role models.”

While Dylan won’t attend the Nobel ceremony due to “other commitments” that “make it unfortunately impossible,” the Nobel committee tweeted Monday that Dylan has “provided a speech which will be read at the Nobel banquet” on December 10th; organizers tell Rolling Stone that they do not know who will read the “speech of thanks” at the gala as of press time. A rep for the event declined to comment further.

Smith tells Rolling Stone that organizers approached her in September to sing at the ceremony, prior to the announcement of this year’s award recipients. “I had planned to perform one of my own songs with the orchestra,” Smith tells Rolling Stone. “But after Bob Dylan was announced as the winner and he accepted it, It seemed appropriate to set my own song aside and choose one of his. I chose ‘A Hard Rain’ because it is one of his most beautiful songs. It combines his Rimbaudian mastery of language with a deep understanding of the causes of suffering and ultimately human resilience.

“I have been following him since I was a teenager, half a century to be exact,” Smith adds. “His influence has been broad and I owe him a great debt for that. I had not anticipated singing a Bob Dylan song on December 10th, but I am very proud to be doing so and will approach the task with a sense of gratitude for having him as our distant, but present, cultural shepherd.”

After Dylan announced that he could not receive the Nobel honor in person, the Swedish Academy said in a statement that they have “decided not to organize an alternative plan for the Nobel Lecture traditionally held on December 7th. There is a chance that Bob Dylan will be performing in Stockholm next year, possibly in the spring, in which case he will have a perfect opportunity to deliver his lecture.”

Each Nobel laureate is required to deliver a speech “on a subject connected with the work for which the prize has been awarded.” “We are looking forward to Bob Dylan’s Nobel lecture, which he must hold, according to the requirements, within six months [from December 10th],” the Swedish Academy said at the time. It’s unclear whether the Dylan-penned gala speech fulfills that requirement.

Nobel spokeswoman Annika Pontikis said that Dylan’s Nobel diploma and medal will be handed over at a later date that hasn’t been determined yet.

After not initially acknowledging the Nobel distinction, which drew the ire of some Swedish Academy members, Dylan finally said of receiving the Nobel Prize for Literature, “The news about the Nobel Prize left me speechless. I appreciate the honor so much.”

Bob Dylan wins Nobel Prize In Literature


This music video from the USA is called Bob Dylan – Masters of War – lyrics. The song is about the military industrial complex in the USA.

On the same day that Nobel Prize In Literature winner Dario Fo has died, a new prize winner…

From Reuters news agency:

2016 Nobel Prize In Literature Awarded To Bob Dylan

10/13/2016 07:02 am ET

STOCKHOLM, Oct 13 – Bob Dylan, regarded as the voice of a generation for his influential songs from the 1960s onwards, has won the Nobel Prize for Literature in a surprise decision that made him the only singer-songwriter to win the award.

The 75-year-old Dylan – who won the prize for “having created new poetic expressions within the great American song tradition” – now finds himself in the company of Winston Churchill, Thomas Mann and Rudyard Kipling as Nobel laureates.

The announcement was met with gasps in Stockholm’s stately Royal Academy hall, followed – unusually – by some laughter.

Dylan’s songs, such as “Blowin’ in the Wind,” “The Times They Are a-Changin’,” “Subterranean Homesick Blues” and “Like a Rolling Stone” captured a spirit of rebellion, dissent and independence.

More than 50 years on, Dylan is still writing songs and is often on tour, performing his dense poetic lyrics, sung in a sometimes rasping voice that has been ridiculed by detractors.

Some lyrics have resonated for decades.

“Blowin’ in the Wind,” written in 1962, was considered one of the most eloquent folk songs of all time. “The Times They Are A-Changin’,” in which Dylan told Americans “your sons and your daughters are beyond your command,” was an anthem of the civil rights movement and Vietnam War protests.

Awarding the 8 million Swedish crown ($930,000) prize, the Swedish Academy said: “Dylan has the status of an icon. His influence on contemporary music is profound.”

Swedish Academy member Per Wastberg said: “He is probably the greatest living poet.”

Asked if he thought Dylan’s Nobel lecture – traditionally given by the laureate in Stockholm later in the year – would be a concert, [he] replied: “Let’s hope so.”

Over the years, not everyone has agreed that Dylan was a poet of the first order. Novelist Norman Mailer countered: “If Dylan’s a poet, I’m a basketball player.”

Sara Danius, Permanent Secretary of the Nobel Academy, told a news conference there was “great unity” in the panel’s decision to give Dylan the prize.

Dylan has always been an enigmatic figure. He went into seclusion for months after a motorcycle crash in 1966, leading to stories that he had cracked under the pressure of his new celebrity.

He was born into a Jewish family but in the late 1970s converted to born-again Christianity and later said he followed no organized religion. At another point in his life, Dylan took up boxing.

Dylan’s spokesman, Elliott Mintz, declined immediate comment when reached by phone, citing the early hour in Los Angeles, where it was 3 a.m. at the time of the announcement. Dylan was due to give a concert in Las Vegas on Thursday evening.

Literature was the last of this year’s Nobel prizes to be awarded. The prize is named after dynamite inventor Alfred Nobel and has been awarded since 1901 for achievements in science, literature and peace in accordance with his will.

This Nobel Prize for Dylan is not that surprising, the prize being Swedish. Carl Michael Bellman, arguably Sweden’s most famous poet, was a musician as well.

English university militarised, protesting students threatened


This music video from the USA is called Bob DylanMasters of War – with lyrics.

By Peter Lazenby in Britain:

Navy calls in the big guns to stop peaceful uni protests

Thursday 19th March 2014

STUDENTS who staged a spontaneous peace protest at an armed forces recruitment stand at their university were threatened with arrest yesterday.

The students say they were intimidated by military recruiters, university staff and security guards who called the police.

One protester was told: “Go back to Greece.”

The Royal Navy, navy reserves and Royal Air Force were running a recruitment stand at the University of Bradford’s annual spring careers fair.

Protester and biomedical science student Beth Davies said: “This was just a group of students. We saw what was going on and decided something should be done about it.

“The military called security and security threatened to call the police.

“Nobody was arrested because we left before the police arrived.”

The protesters said one foreign student’s identification card was confiscated by security guards, leaving him unable to attend lectures and facing possible exclusion from exams.

First-year integrated sciences student Mohammed Akhtar, 25, said: “I no longer feel safe and I have completely lost my sense of security in the university due to being lied to and intimidated. I feel threatened.”

The protesters said in a statement: “The University of Bradford’s actions against dissent and peaceful student demonstrations raise questions regarding its commitment to promoting social engagement, debate, and democratic participation.

“In a university with an internationally acclaimed peace studies department, which it heavily depends on for recruiting students, this is particularly alarming.”

Bradford University was unable to make an immediate comment.

NATO summit and merchants of death


This music video from the USA is called Bob Dylan – Masters of War – lyrics.

By Joana Ramiro in Britain:

Drone firms spend thousands wooing Nato leaders

Tuesday 9th September 2014

DRONE manufacturers spent hundreds of thousands of pounds to lobby world leaders at last week’s Nato Summit, human rights activists revealed yesterday.

According to research by legal charity Reprieve, arms groups such as General Dynamics and Lockheed Martin paid up to £300,000 to show their wares at the Newport conference.

“The illegal use of drones to carry out secret bombings is one of the most controversial issues around,” said Reprieve legal director Kat Craig.

“It is deeply worrying to see those firms who may profit most from it able to buy access to such a high-level summit.”

But the arms dealers were not present out of sheer perseverance.

The Department for Business, Innovation and Skills, led by Secretary of State Vince Cable, actively promoted their presence.

“This week shines a spotlight on the UK’s thriving defence industry,” said Business Minister Matthew Hancock.

Lockheed Martin spokeswoman Beth Cowley told the Star that the company had been at the summit, which it was “very proud to support.”

After showcasing its newest F-35 Lightning II stealth fighter, Ms Cowley said that “with seven Nato members including the UK already partners and more countries interested in the programme, the aircraft is set to be one of the cornerstones of the alliance’s air capability for decades to come.”

Campaigners believe that drone manufacturers fraternising so closely with the heads of some of the most powerful countries in the world helps perpetuate a war culture.

“Allowing drone manufacturers to buy access to our politicians behind closed doors is no way to ensure we get the transparency we need,” added Ms Craig.

Campaign Against Arms Trade (CAAT) spokesman Andrew Smith echoed the sentiment.

These companies thrive on war and conflict, so it’s no surprise that they would use a militaristic summit like Nato to promote their deadly wares,” he said.

“They want to ensure that governments continue to pour billions into weapons, even at the same time as the vital services that people rely on every day are being cut.”

Pro-peace protest against NATO conference in Wales


This music video from the USA is called Bob Dylan – Masters of War – lyrics.

By Paddy McGuffin in Britain:

Protesters descend on masters of war summit

Saturday 30th August 2014

Thousands arrive at Nato’s Newport meet

THOUSANDS of protesters will descend on Newport in south Wales today making a stand against next week’s two-day Nato summit.

Organisers claim the protests could be the largest in Wales for a decade and thousands of additional police officers have been drafted in from forces across Britain.

This 29 August 2014 video from Wales is called Nato protesters open peace camp at Newport’s Tredegar Park.

Earlier this year the Morning Star reported that the Police Federation had briefed members that up to 10,000 officers were going to be deployed for the summit at a predicted cost of millions of pounds to the public purse.

Officers were drafted in from across Britain to police a G8 summit in Enniskillen last year but that 3,000-strong presence is dwarfed by this operation.

Sixty world leaders will meet at the Celtic Manor in Newport for the summit on September 4 and 5. Previous summits in Chicago and Strasbourg saw thousands protest against Nato policy on military intervention, austerity and global inequality.

A week-long series of protests and events has been planned in opposition to the summit and the military adventurism of Nato powers, particularly the US and Britain.

The ongoing and escalating situations in Ukraine, Libya, Syria and Iraq, which many anti-war activists argue can be seen as a direct result of Western intervention, make this one of the most controversial summits in recent years.

Nato secretary-general Anders Fogh Rasmussen confirmed that Ukrainian reactionary leader Petro Poroshenko had been invited to the meeting even though Ukraine is not a Nato member.

“At the Wales summit next week, we will meet President Poroshenko to make clear Nato’s unwavering support for Ukraine,” Mr Rasmussen said in Brussels yesterday.

Mr Poroshenko has asked the Ukrainian parliament to consider applying for Nato membership, which if accepted would compel the alliance to become involved militarily.

Stop the War convener Lindsey German said: “The conflict in Syria and Iraq has been much worsened by Western intervention, both overt and covert.

“The same is true in Afghanistan and Libya. We are seeing now just what a terrible price is being paid by the people of the region. Nato is promising us more of the same, this time in the heart of Europe.

“That’s why many thousands will be turning out to protest against Nato over the next week.”

CND general secretary Kate Hudson said: “Nato is a destabilising global force. Its war of aggression in Afghanistan has killed tens of thousands and left that country fragmented: the ripples of which are being felt across the region.

“As a nuclear alliance which has repeatedly rejected a ‘No First Use’ policy, Nato has shown itself for what it is: an interventionist, expansionist, military club which favours threats over diplomacy.”

Speakers at the demonstrations include Irish peace activist Margaretta D’Arcy, Jeremy Corbyn MP and Lindsey German.

Live blog on the demonstrations: here.

British journalism and conspiracy theories


This Bob Dylan music video from the USA is called John Birch Paranoid Blues {Live at Town Hall 1963} – Elston Gunn. The lyrics of the song are here. About the connection between the John Birch Society and George Lincoln Rockwell’s nazi party, referred to in the lyrics, see here.

By Peter Frost in Britain:

Chapman Pincher: was he the Sixth Man?

Tuesday 19th August 2014

PETER FROST has a chuckle as he remembers a Grub Street journalist who thought just about everybody was a Soviet spy

IT WAS in the pages of the Daily Express in the late 1950s that I first came across Chapman Pincher.

The Express bylined Pincher as the world’s greatest reporter — and he certainly agreed.

He wasn’t, of course. But he did seem to have some interesting stories and he seemed immune to some of the D-notices and other techniques that the Establishment used in those days to keep so many scandals out of the papers.

Reaching my teenage years in the 1950s and early ’60s I got my ideas about the world and politics and what would be my lifelong love affair with print journalism from all kinds of newspapers.

At home we had the News Chronicle until it stopped publication in 1960, and the left-wing Daily Herald until 1964 when it tragically transmogrified into the Sun.

In 1961 I discovered a scrappy little magazine called Private Eye and also developed a soft spot for the Daily Mirror and its Labour politics.

I would buy an occasional copy of the Daily Worker. It changed its name to the Morning Star in 1966 and by then I was reading it regularly.

But alas I must admit most of the news and analysis in my youth came from some good right-wing Fleet Street Tory rags.

I loved the pre-Murdoch News of the World — then the biggest circulation newspaper in the whole globe.

Salacious stories of defrocked vicars, poltergeists, gangsters and dodgy spiritualists and their ectoplasm. What more could a young teenage boy want?

However, Pincher, in the Express, always seemed to get some of the best, most interesting stories.

Scoops they used to call them, and in Pincher’s scoops there was usually someone, often rich, posh or powerful, accused of being a Soviet spy.

Some were amazing speculations. He believed half the Labour Party and all of the trade union movement were in the pay of the Kremlin. No-one escaped his accusations, including prime minister Harold Wilson.

Most of his stories took him into the murky world of spies and double agents — almost always the world of communism and the Soviet Union, although it is true he wrote about the US atomic bomb before any US newspaper.

I read with amused fascination and a little chuckle when Pincher published stories about the Cambridge Four — or was it Five? — Kim Philby, Donald Maclean, Guy Burgess and Anthony Blunt, all undercover communists who had infiltrated and embarrassed post-war British intelligence so comprehensively.

Then came speculation into the so-called “Fifth Man.” Was it John Cairncross, James Klugman, Victor Rothschild, Guy Liddell or some other suspect?

Pincher came down heavy on former MI5 director general Roger Hollis and seemed to make this search and speculation a full-time occupation. It sometimes seemed to me Pincher was obviously the Sixth Man.

He did some good. As early as 1967, he revealed that British intelligence was reading the cables and telegrams of private citizens. That story is, of course, still unfolding today.

As well as newspaper articles he wrote more than 30 books. Best known is Their Trade is Treachery in 1981.

His sources for this book were the criminal Tory minister Jonathan Aitkin (Eton, Oxford, prison) and Spycatcher author Peter Wright, who himself betrayed and so upset his British intelligence masters.

In his book, Pincher argued that Hollis was a Soviet spy. It was typical Pincher stuff and not unexpectedly several investigations, even one by prime minister Margaret Thatcher, never actually proved Hollis guilty.

What isn’t well known is that Pincher started his own career as a spy. He worked on secret rocket weapons while serving in the British army.

He sold some of this top secret information to an old mate on the Daily Express defence desk. In return the Express offered him a job.

His politics were obviously Establishment and Tory and anti-Labour but that didn’t stop Tory prime minister Harold Macmillan writing in 1959: “Can nothing be done to suppress or get rid of Pincher?”

A more balanced view on Pincher came from ex-communist and famed historian EP Thompson, who in the New Statesman in 1978 described Pincher as “a kind of official urinal where high officials of MI5 and MI6 stand side by side patiently leaking their secrets.”

Pincher loved this judgement from someone he considered a wily old enemy. He said it was his greatest professional compliment.

Pincher, when he died aged 100 earlier this month, turned his own death into a newspaper story.

Announcing his death, his son Michael passed on a last and typical quote from his father — “Tell them no more scoops.”

I guess we should all be grateful for that.

Peter Frost blogs at frostysramblings.wordpress.com.

Unjustly convicted boxer ‘Hurricane’ Carter dies


This music video is called Bob Dylan – Hurricane (original). The lyrics are here.

From the Canadian Press:

‘Hurricane’ Carter dies at 76

April 20, 2014 / 8:04 am

Rubin “Hurricane” Carter, the former American boxer imprisoned nearly 20 years for three murders before the convictions were overturned, has died at his home in Toronto.

Media reports say he was battling prostate cancer.

The Hurricane‘s autobiography, “The Sixteenth Round,” was published in 1975 it helped raise awareness for his case. Also in 1975 Bob Dylan wrote the song ‘Hurricane’ based on the book.

According to CTV, Carter was arrested in 1966, along with acquaintance John Artis, for a triple shooting in New Jersey. His conviction was quashed in 1985, with the help of a group of Canadians who fought to keep his case in the spotlight.

Eventually, Carter moved to Toronto, where he helped to form the Association in Defence of the Wrongly Convicted. He served as the association’s executive director from 1993 to 2004.

in 1999 Norman Jewison made the movie ‘The Hurricane’, Denzel Washington played the lead role.

See also here. And here. And here.

On race, the US is not as improved as some would have us believe. Despite the legacy of civil rights, some doors remain firmly closed. And across the US, schools are resegregating: here.

On Monday, a judge in Baltimore, Maryland, declared three men innocent of a murder they were wrongfully convicted of 36 years ago and sentenced to life in prison. Alfred Chestnut, Ransom Watkins and Andrew Stewart were teenagers when they were arrested on Thanksgiving Day 1983 for the murder of a 14-year-old junior high school student. When they walked out of prison on Monday, they were men in their early fifties, having spent more than two-thirds of their lives incarcerated: here.

Singer Bob Dylan, a racist?


This Bob Dylan music video says about itself:

The Lonesome Death of Hattie Carroll (Live 1965)

Live Manchester, England, May 1965

By Norman Markovitz in the USA:

Tuesday 10th December 2013

Is Bob Dylan a racist?

NORMAN MARKOWITZ says recent claims by the so-called Council of Croats in France are not what they seem

I recently circulated a petition calling for Fifa to suspend the Croatian football team from upcoming World Cup games in Brazil because of its use of World War II Croat fascist slogans.

There’s another story relating to Croatia’s wartime role which has received greater international attention, however – people claiming to be representative of the Croatian community in France have sued Bob Dylan.

Their accusation is that this great singer, whose songs of social criticism such as Masters of War, Blowin’ In the Wind and The Times They Are A’Changin’ have made him one of the best-known and most admired US artists of the last 50 years, has made offensive and even racist remarks about Croats in Rolling Stone magazine.

Dylan’s attackers share one thing with the defenders of the Croatian football team – a desire to celebrate or deny a barbarous past.

Vlatko Maric, the secretary-general of something called the Council of Croats in France, tells Croatian daily Vecernji List that the council has decided to “file criminal charges against Robert Allen Zimmerman, aka Bob Dylan, and the French publisher of Rolling Stone magazine for inciting racism and hatred against Croats and the Croatian people.”

Dylan ruffled feathers in a discourse on US politics, in which he remarked as an aside while commenting on still tense relations between African-Americans and white people: “If you’ve got a slave master or the [Ku Klux] Klan in your blood, blacks can sense that, just like Jews can sense nazi blood and Serbs can sense Croatian blood.”

The comments have seen some radio stations in Croatia such as Radio Split banning Dylan’s songs from their playlists. And Maric says they “without any doubt incite hatred against Croatians.”

But do they?

Dylan’s use of the term “blood” is clearly very inappropriate. All human blood is the same. He would have been wiser too to refer to the Ustasha or Croatian fascists rather than Croatians in general.

But there are reasons to be sceptical about his critics. The reference to “Robert Allen Zimmerman, aka Bob Dylan” is reminiscent of nazi, Ku Klux Klan and House Un-American Activities Committee language when dealing with public figures of Jewish background who had changed their names.

The nazis, for example, referred to the prominent Jewish-German writer Emil Ludwig as Emil Ludwig “Cohen.”

Segregationists and racists in the US would traditionally refer to prominent Jewish figures in the arts as “Melvin Hesselberg, aka Melvin Douglas,” “Julius Garfinkle, aka John Garfield” and “David Kaminski, aka Danny Kaye,” as if simply citing a Jewish name was enough to discredit an individual.

And the crimes committed by German fascists and their allies – among whom the Croatian Ustasha was one of the most notorious – became the basis for the anti-racist laws that right-wing Croats are hypocritically seeking to invoke.

Actually similar suits have been launched in a number of countries by “rehabilitated” organisations such as Waffen-SS veteran groups in the Baltic countries against critics including Holocaust survivors.

In Germany nazi symbols, Hitlerite tracts and films such as Jud Suss and The Eternal Jew remain banned.

In the US even right-wing “tea party” Republicans do not celebrate the Klan as it was once celebrated in DW Griffiths’s silent film Birth of a Nation.

There are of course Holocaust deniers throughout the world. But Franjo Tudjman, the anti-communist Thatcher ally who became first president of Croatia when it broke away from Yugoslavia and who was implicated in many of the war crimes against Bosniaks during the ensuing conflict, is one of only two heads of state worldwide who openly joined the Holocaust deniers.

The other was former Iranian president Mahmoud Ahmadinejad, whose statements were far more widely publicised and condemned.

Bans on Dylan’s music are very much in the tradition of the US House Un-American Activities Committee which highlighted Jews, African-Americans and people born abroad in attacks on cultural figures. The committee played a role in blacklisting Pete Seeger, the Weavers and other artists who inspired Dylan’s early work, though it had lost most of its power by the time Dylan’s career took off.

Dylan doesn’t have much to worry about from this suit, or from the establishment of any Un-Croatian Activities Committee which might go after him as well as former partisans and anti-fascists while celebrating the football team.

It would be nice, though, if those who have brought this suit against him would repudiate the mass murder carried out against Serbs, Jews, Roma and anti-fascist resistance fighters at the Jasenovac death camp, run by the Ustasha as a human slaughterhouse during the second world war.

Then perhaps Dylan might clarify his statement. Then it would be easier to separate the wartime fascist regime from modern Croatian nationalism.

Until the Croatian government faces up to this ugly chapter in the country’s history it will continue to be associated with it.

Bob Dylan talked to AARP Magazine for one of his first interviews in years.

US singer Rodriguez, beloved in South Africa


This music video is called Sixto Rodriguez – I Wonder.

By James Brewer in the USA:

Searching for Sugar Man: Detroit musician connects with mass audience in South Africa

27 August 2012

Directed by Malik Bendejelloul

The documentary Searching for Sugar Man uncovers musical connections spanning two continents and more than 8,000 miles. The recordings of a Detroit singer-songwriter, Sixto Diaz Rodriguez (born 1942), who virtually no one ever heard of in the US, unknowingly achieved platinum album status (by the UK standard) in faraway South Africa.

Although a documentary, the film tells a story so incredible that it feels like a work of fiction. Searching for Sugar Man has been described as a fairy tale. To its credit, Malik Bendejelloul’s work raises numerous questions, some more profound than others, about music, global politics and money.

Stephen Segerman, a white South African eventually instrumental in tracking down the artist known only by his last name, Rodriguez, opens the story. He describes Rodriguez’s music as “the soundtrack to our lives,” speaking of his generation of Afrikaner youth who came into opposition against the apartheid system and police-state strictures aimed at repressing all independent thought.

The music is compared to Bob Dylan’s, but in South Africa, according to Segerman, “Cold Fact,” Rodriguez’s first album, became so popular that it was one of three albums to be found in the record collection of virtually every white liberal household, along with the Beatles’ “Abbey Road” and Simon and Garfunkel’s “Bridge Over Troubled Waters.” While his music is unmistakably influenced by Dylan, Rodriguez’s lyrics express more directly the experience of more oppressed layers of the population.

“Sugar Man,” the tune that inspired the film’s title, is a plea for drugs to escape from reality. Unlike Dylan’s “Mr. Tambourine Man,” the tune doesn’t play up the ecstasy of a drug-induced psychedelia, but rather evokes a desperate inability in the face of a brutal world to find an “answer that makes my questions disappear.”

Another song from “Cold Fact,” entitled “This is Not a Song, It’s an Outburst: Or the Establishment Blues,” became an anthem to thousands of South African youth who defied the police and state forces. It evokes another Dylan song, “It’s All Right, Ma (I’m Only Bleeding),” but again it more explicitly criticizes the existing state of society. The last line cited below is the source of the album’s title:

Garbage ain’t collected, women ain’t protected
Politicians using, people they’re abusing
The mafia’s getting bigger, like pollution in the river
And you tell me that this is where it’s at

Woke up this morning with an ache in my head
I splashed on my clothes as I spilled out of bed
I opened the window to listen to the news
But all I heard was the Establishment’s Blues

Gun sales are soaring, housewives find life boring
Divorce the only answer smoking causes cancer
This system’s gonna fall soon, to an angry young tune
And that’s a concrete cold fact

Admirers in South Africa, where his recordings had become so popular, knew nothing about Rodriguez—where he came from, what inspired his music, not even his full name. It was believed that Rodriguez had killed himself onstage during a performance. There were conflicting rumors about his death—one said he poured gasoline over himself and ignited it; another story had it that he shot himself in the head with a handgun.

On the sugarman.org web site, Segerman (who ironically was also known as “Sugarman” or just “Sugar”) explains that in 1991 a chance conversation sent him searching for the second Rodriguez album, “Coming From Reality,” which was released in South Africa, but which he had never seen or heard.

Commissioned along with another writer to produce liner notes for the first CD release of that album, “we pondered the whereabouts of Rodriguez and asked if there were ‘any Musicologist detectives out there’ willing to help find this elusive man. Up in Johannesburg a journalist called Craig Bartholomew (Strydom) read those words, contacted me, and we met a while later in Cape Town and agreed to launch a joint search to find Rodriguez.”

Eventually, through a web site set up by Bartholomew-Strydom called “The Great Rodriguez Hunt,” the South Africans made contact with the producers of “Cold Fact” in Detroit.

They also found out that Rodriguez was still alive.

The search for Rodriguez, the enigmatic singer who found South African fame: here.