‘Rihanna’s Freddie Gray concert plan blocked by Baltimore, USA police’


This video from the USA says about itself:

Rihanna, Nas, Alicia Keys: Superstars react to Ferguson grand jury decision

25 November 2014

Social media has been set ablaze after the police officer, Darren Wilson, who shot and killed an unarmed Michael Brown was not indicted by a grand jury in the murder trial in Ferguson, Missouri yesterday and big stars are now reacting differently from all over the world. Rihanna, Nas, Alicia Keys, Pharrell Williams, Gabrielle Union, Keri Hilson, Katy Perry, Michelle Williams, Ludacris and many more jumped on social media to air their views on the shocking verdict which has now left the city of Ferguson in complete violence.

RiRi posted a picture on her Instagram of a board which read: ‘Justice for – (I left it blank) because I’ll probably need this next year‘ and captioned it “Fact”.

From daily The Guardian in Britain:

Rihanna’s Freddie Gray concert was blocked by Baltimore police – reports

Singer had planned to walk with protesters and give free concert for 25-year-old African American man who died in police custody

Nadia Khomami

Wednesday 29 July 2015 12.34 BST

Rihanna was reportedly blocked by Baltimore police from playing a free concert for Freddie Gray, the 25-year-old African American man who was fatally injured by six police officers in April.

According to newly released emails between police and the singer’s representatives, obtained by the Baltimore Sun, Rihanna wanted to go to Baltimore in the week after race-related rioting broke out, to walk with protesters and perform a free concert.

In a message dated 1 May sent to Captain Eric Kowalczyk, the then head of media relations for Baltimore police, an officer detailed a conversation he had with a representative for the singer. He said the representative advised that Rihanna would arrive by plane and “in an effort to divert press/media she will be travelling to the city by train (or by car if necessary)”.

The officer added that the representative “had hoped to secure some extra police security and was directed by the governor’s office to seek assistance through communications”.

The email was forwarded to Anthony Batts, the then Baltimore police commissioner, and Kevin Harris, a spokesman for the mayor of Baltimore, Stephanie Rawlings-Blake.

The possible concert was also mentioned in a situation report on 1 May, which revealed the location to be the intersection of Pennsylvania and West North avenues, the focal point of the protests. “Possible Rihanna Concert at Penn & North,” it read. “No time given. Police are claiming they have no permit so it will not be allowed.”

A state of emergency was declared in Baltimore amid widespread civil unrest across the city following Gray’s death, which a medical examiner ruled was a result of spinal injuries inflicted by arresting officers. Criminal charges including murder and manslaughter have since been brought against the officers involved.

During the unrest, Rihanna posted on Instagram a picture taken by Baltimore photographer Devin Allen of a black police officer with tear-filled eyes. The picture was accompanied with a crying emoji.

Other musicians who expressed concern about the situation included Kelly Rowland, Gerard Way, and Prince, who played a show at the city’s Royal Farms Arena on 10 May. The concert, Rally 4 Peace, was broadcast live by Tidal, the livestreaming company backed by rapper Jay Z.

Chilean Pinochet officers charged with murdering singer Victor Jara


This 1973 music video is called Victor Jara: El derecho de vivir en Paz.

From daily The Morning Star in Britain:

Chile: 10 former soldiers charged with Victor Jara murder

Friday 24th July 2015

TEN CHILEAN former military officers have been charged with the 1973 murder of legendary folk singer Victor Jara.

The charges, announced late on Wednesday by Judge Miguel Vazquez, include the murder and kidnapping of Mr Jara and former military police director Littre Quiroga Carvajal.

Communist Party member Mr Jara was one of thousands of people rounded up after General Augusto Pinochet’s US-backed coup against socialist president Salvador Allende on September 11 1973.

Opponents of the coup were herded into a stadium in Santiago de Chile to be tortured and murdered.

Mr Jara played a borrowed guitar and sang songs for the detainees until soldiers broke his hands. He kept singing until his death.

The announcement of the charges against the officers came a day after seven former soldiers — two former officers and five former non-commissioned officers — were arrested for burning a teenage photographer to death during 1986 protests against Pinochet’s regime.

Soldiers doused Rodrigo Rojas, 19, and Carmen Quintana, 18, with petrol and set them on fire during a street demonstration.

Ms Quintana thanked a former soldier, identified as Fernando Guzman, for coming forward with new information on the case.

She said the soldiers involved were also victims of the dictatorship because they had received death threats to intimidate them into keeping silent.

Chilean dictator Pinochet covered up 1986 burning of activists, report shows. Declassified US documents indicate Pinochet suppressed police report that fingered military officers in burning alive of Rodrigo Rojas and Carmen Quintana: here.

United States jazz musician Jeremy Pelt on Eric Garner’s death


This music video says about itself:

1 November 2012

Jeremy Pelt Quintet in “We’ll Be Together Again” (Fischer-Laine), Live al Duc des Lombards – Paris

Jeremy Pelt trumpet, Roxy Coss sax, David Bryant piano, Dwayne Burno bass, Jonathan Barber drums.

By Chris Searle in Britain:

Art, protest and restless humanity, never quelled

Tuesday 21st July 2015

Trumpeter Jeremy Pelt echoes a nation’s grief as US police continue to target, hurt and kill innocent black men, writes CHRIS SEARLE

Tales, Musings and Other Reveries
(High Note HCD 7270)
Jeremy Pelt

IT WAS July 17 2014 on a busy shopping street in Staten Island, New York City. A 43-year-old African-American ex-horticulturalist from the New York Parks and Recreation Department, Eric Garner, was confronted by some police officers, accused of selling “loosies” — single cigarettes from unlicensed and untaxed packs.

An argument ensued, with an officer — one Daniel Pantaleo — putting Garner into a 15-second chokehold and forcing him face down onto the pavement.

Garner spluttered: “I can’t breathe!” 11 times while his head was held down. An ambulance was called, and by the time it arrived at the hospital an hour later, Garner was dead.

After a grand jury decided not to charge Pantaleo for murder, there were nationwide protests and demonstrations at yet another fatal police attack on an African-American, and the mass indignation spread into popular culture too. No more efficaciously than in the new album by the southern Californian-born trumpeter Jeremy Pelt, Tales, Musings and Other Reveries.

In his sleeve notes, Pelt remembers “witnessing Los Angeles go up in flames” after the broadcasting of footage showing police beating black taxi driver Rodney King following a high-speed car chase though the city’s streets in 1991, and the subsequent acquittal of the police officers.

In the track Ruminations on Eric Garner, the twin brutalities against King and Garner are brought together in Pelt’s powerful hornplay and the two sets of pulsating drums of Virginian Billy Drummind and Victor Lewis of Omaha, Nebraska.

Pianist Simona Premazzi and bassist Ben Allison are there in the introduction and fading finale, but all the rest is Pelt, Drummond and Lewis creating an incensed colloquy of brass, skin and cymbal, with the trumpeter’s high-pitched runs and soaring, defiant notes calling out like a clamour for justice, and the two drummers pitched in the earth of wronged and savaged humanity.

I Only Miss Her When I Think of Her, which follows, is very different, with Pelt’s beautifully bent notes and burnished tone singing of love and tenderness. Nephthys is songlike and full of rapture, with the drums and Allison’s throbbing bass dancing below Pelt’s high horn trajectory. Premazzi seems to love the two drummers beside her too, and her keys jump off their sound.

Pelt writes that the blues piece The Old Soul of the Modern Day Wayfarer is about him and “the soujourner in myself” as if the nomadic musical life and the perennial touring has in some way defined his sound. His note-perfect delivery brings into strange unity the form of Art Farmer and the fierce passion of Freddie Hubbard: quite a fusion of excellence and tradition.

The hard bop classic Glass Bead Games, written by the tenor saxophonist Clifford Jordan, is transformed into a brass rhapsody by Pelt, flying above Lewis’s and Drummond’s pounding drums. Premazzi’s solo enriches the artistry before the drummers have their own palaver, loving their togetherness, prefacing Pelt’s final flourish as a salute to their union. Then there is Vonetta, written by another great tenorist, the survivor Wayne Shorter, for the 1967 Miles Davis album The Sorcerer. Pelt’s long, anguished notes reveal an unexpected tenderness in the heart of enchantment.

Pelt’s own Harlem Thoroughfare is a quasi-Ellingtonian title for another side of New York, and its village of black achievement. Premazzi’s solo is racked with complexities and Pelt is the griot and historian of his own dwelling place.

Pelt blows with a tender lucidity and Allison’s bass palpitates all through Everything You Can Imagine is Real, a dictum attributed to Picasso, whose Guernica is close to Pelt’s home, there in the New York Museum of Modern Art. The man who painted that would have understood Pelt’s artistry and his Ruminations on Eric Garner, that’s for sure. They come from the same soul of art, protest and restless humanity, never to be quelled or silenced.

Sharks like death metal music


This video says about itself:

Sharks Love Death Metal

9 July 2015

The team trades chum for music, hoping to strike a chord with nearby great whites. Luckily (or not), great whites have an ear for death metal.

From daily The Independent in Britain:

Death metal music attracts sharks, documentary crew finds out

The low, rumbling frequencies of death metal mimic the sounds of struggling fish

Doug Bolton

Friday 10 July 2015

A documentary film crew hit upon a novel technique to attract great white sharks – blasting death metal through an underwater speaker.

The Discovery Channel crew, filming for the Shark Week show Bride of Jaws, were on the hunt for a large great white, wonderfully nicknamed ‘Joan of Shark’.

Desperate to feature the 16-foot, 1.6 tonne shark in their documentary, they submerged a speaker to see if the shark would react. Unfortunately they didn’t manage to attract Joan, but did catch the attention of two others, one of which was 12 feet long.

Sharks ‘hear’ by picking up vibrations from receptors on their bodies, meaning they can be attracted to the low-frequency vibrations of heavy music, which apparently sounds like struggling fish.

It’s an odd tactic, but one that’s apparently well-known by shark hunters. Matt Walller, a shark tour operator in Australia, found out that AC/DC records caused sharks to change their behaviour.

When he played the tunes from underwater speakers, the sharks swam straight up to his boat, brushing their heads against the submerged diving cage.

Other than being a boon for metal fans on shark tours, using music, instead of bait, could be more environmentally friendly.

Read more: A close call with a Great White

Surfer films his near miss with a huge shark

Great white sharks – the misunderstood giants

Filmmakers and shark-spotters usually use chum, a mix of fish parts, bones and blood, to attract sharks. By reducing the amount of chum they give to the sharks, humans will be able to reduce their impact on the shark’s natural behaviour.

And concerns that luring sharks with bait can draw them closer to human occupied shores means Pine Knoll Shores, a town on the coast of North Carolina, is currently debating whether to ban the practice, due to eight people already being bitten by sharks in the area this summer.

If the practice of attracting sharks with death metal spreads, record labels could find a lucrative new niche market.

This video says about itself:

Turning Tides: Towards a Bluer Tomorrow | WCS Gala 2015

11 June 2015

While oceans cover 70 percent of the world’s surface, only one percent is truly protected. We depend on the oceans for our food, our livelihoods, our lives. WCS has been a leader in marine scientific discovery and conservation for more than 100 years. In this short video, we lay out our vision to protect 10% of the worlds oceans by 2020. Join us as we turn the tides towards a bluer tomorrow.