Punk music police censorship in English football


This music video from Britain is called Sex Pistols – Anarchy In The UK 1976.

By poet Attila the Stockbroker in England:

Anarchy in the UK – but censorship in Gillingham

Thursday 5th March 2015

Now my autobiography is finished the gigs are beginning to start again. Today my wife and I are off to Lerwick for my first ever appearances in Shetland – hooray! Looking forward to that, and to sampling the ale from the legendary Valhalla Brewery — an extended report of proceedings will be in my next column.

And I had a brilliant show last Sunday at the Winter of Discontent punk festival in north London with Sunderland heroes and old mates Angelic Upstarts, Welsh anti-fascist legends The Oppressed and Edinburgh’s hilarious Oi Polloi.

Now a bit more from the book.

To set the scene — it’s 1997 and the crisis at my beloved Brighton & Hove Albion is at its height. Our Goldstone Ground has been sold to property speculators, we’re playing our “home” games at Gillingham, a round trip of 140 miles, and we’re second from bottom of the entire Football League.

To try and liven things up a bit, I’ve persuaded club chairman Dick Knight to let me be PA announcer and DJ, playing punk, reggae and ska. It’s Boxing Day 1997, at home to Colchester. A noon kick-off.

We’d obviously had to set off really early to get to Gillingham in time for the game and everyone was a bit bleary-eyed. So, for the first time, I decided to play Anarchy in the UK by the Sex Pistols. It had been on for about a minute when a policeman burst into the box.

“Take that off! Take that off! Now!”

“Why?’”I asked. But I could see that he was really angry. So I did, and put the Clash on instead.

This music video from England is called The Clash – Janie Jones (live at the Belle Vue, Manchester, UK 15. November 1977).

“You can’t play that record at a football match. It’s banned. It’s on THE LIST!”

“What list?” I asked. “No-one has ever told me there was a list of records I couldn’t play!”

“Well, it’s obvious, isn’t it!’ he shouted. “It’s obvious!”

I stood there, the Clash playing in the background, perplexed. It evidently wasn’t “obvious” to me and the fact that he needed to explain further made him even more angry. “It incites violence in the crowd!” he exclaimed.

I thought for a few seconds. “Well, officer,” I said. “I bought two copies of Anarchy in the UK in the black sleeve on EMI Records on the day that it came out in 1976. I have played it and heard it many, many times since and not once has doing so given me violent thoughts of any kind whatsoever.

“I have also been to all 92 Football League grounds and every time I have heard In the Air Tonight by Phil Collins I have had to restrain myself from committing serious acts of criminal damage!”

He didn’t get the joke and, a couple of days later, Brighton & Hove Albion FC received a formal letter from Kent Police banning me from doing the PA at Gillingham any longer.

Dick Knight phoned me up. “I’m not having that, John!” He spoke to them and the ban was rescinded, on condition that I didn’t play Anarchy in the UK again. So I didn’t.

This music video is called The Damned – Smash it Up; Old Grey Whistle Test.

I did play Smash it Up by the Damned and I Fought the Law and White Riot by the Clash in the next couple of weeks though. No policeman appeared in the box. Obviously those three weren’t on THE LIST.

This music video is called The Clash – I Fought The Law (Live at The London Lyceum Theatre – 1979).

This music video is called The Clash – White Riot.

Finnish punk rockers with disabilities to Eurovision Song Contest


This video from England says about itself:

21 December 2014

Finnish punks Pertti Kurikan Nimipäivät (PKN) at the Lexington, London.

After Finnish hard rock band Lordi, who participated in the Eurovision Song Contest in 2006, and won (dressed like dinosaurs) …

From the BBC:

1 March 2015

Finland punk band PKN set for Eurovision

A punk band made up of men with learning disabilities is to represent Finland at the Eurovision Song Contest.

The quartet, named PKN, was chosen by Finnish viewers on Saturday and has now been ranked by bookmakers as among the favourites for the contest.

The group, whose members have Down’s syndrome and autism, will perform their 85-second song Aina Mun Pitaa (I Always Have To) at the event in Vienna in May.

“Every person with a disability ought to be braver,” singer Kari Aalto said.

“He or she should themselves say what they want and do not want,” he told Finnish broadcaster YLE.

The group – full name Pertti Kurikan Nimipaivat (Pertti Kurikka’s Nameday) – will also become the first punk band to compete at Eurovision.

They first got together during a charity workshop and appeared in an award-winning 2012 documentary called The Punk Syndrome.

This Finnish video says about itself:

The Punk Syndrome – Kovasikajuttu

12 February 2015

A Finnish punk-rock band formed by four mentally disabled guys.

The BBC article continues:

The song deals with the frustration of the rules of daily life, like having to eat healthily and doing chores like cleaning and washing up.

‘Changing attitudes’

“We are rebelling against society in different ways, but we are not political,” bassist Sami Helle told The Guardian.

“We are changing attitudes somewhat, a lot of people are coming to our gigs and we have a lot of fans.

“We don’t want people to vote for us to feel sorry for us, we are not that different from everybody else – just normal guys with a mental handicap.”

They are 5/1 to win the contest, according to Betfred, making them third favourites behind Italy and Estonia.

Heavy metal band Lordi gave Finland its only Eurovision win to date with Hard Rock Hallelujah in 2006.

The UK’s Eurovision entrant will be named on Saturday.

British poet Attila the Stockbroker, nazis, anti-nazis, and Donny Osmond


This music video is called Attila the Stockbroker-Live @ Folk Fusion Festival-Paradiso-Amsterdam-Acoustic Set -12.02.2013.

By poet Attila the Stockbroker from Britain:

Anti-fascism, followed by canine passion at the Marquee

Tuesday 20th January 2015

On the road with Attila the Stockbroker

AS I mentioned in my last piece, I shall be doing very few gigs in the first half of this year since I’m completing my autobiography. It’s to be published on September 8, the 35th anniversary of my first gig.

So, instead of contemporary tales from the road, some of my next few columns will contain a few excerpts from it — stories you literally couldn’t make up.

Here’s one.

I’d always enjoyed playing the Marquee Club in London, the history-sodden rock venue in Soho’s Wardour Street, sadly now closed.

I did a show with my good mate John Otway there in the early ’80s and remember a tension-filled and storming night in 1989 when I supported Sunderland’s legendary Angelic Upstarts.

This music video says about itself:

Angelic Upstarts – The Murder of Liddle Towers

Classic debut single from the Upstarts, championing the cause of the Birtley boxer who died after a night in a police cell.

The Attila the Stockbroker article continues:

The previous year they had been attacked by fascists at a punk festival at the Astoria in London and the gig closed down, with the fascists vowing that the Upstarts would never play London again.

Anti Fascist Action laid down the gauntlet at one of the capital’s most high-profile venues, the fascists didn’t show and the gig was fantastic and a truly memorable night.

But the next offer I got to play there would be rather a contrast!

A Monday in January 1991. Phone rings. Can’t remember the bloke’s name after all these years, but the conversation is still vivid.

“Is that Attila? Hi, I book shows for the Marquee. Donny Osmond is supposed to be playing here tomorrow night but he’s pulled out.

“We don’t want to shut the venue for the night and we’re looking for someone to do a set. Would you be interested? We’ll pay you and give you as much beer as you want and as big a guest list as you like.”

I burst out laughing. “Well, I think I know the first verse of Puppy Love. Sure, I’ll give it a go!”

The deal was simple. Everyone who had booked to see Donny got a refund and the chance to watch Attila the Stockbroker for free. I had one day to ring round as many people I knew as possible and tell them that I was Donny Osmond’s understudy at the Marquee the following night —and there was free beer for anyone who made it along.

Unfortunately, this was of course way before the advent of social media, so I couldn’t put an event page on Facebook. I certainly will if it ever happens again.

The gig was sold out. About a third of the audience decided to take up the Marquee’s offer, which meant that I was confronted with a fairly large number of very disappointed ladies in their mid-30s — it was 1991, remember — plus a smattering of male partners, several of whom came up and told me that they were very pleased at the prospect of spending an evening listening to Attila rather than Donny. About 20 Attila fans turned up and got the promised free beer.

I started my set but by the end of the first 15 minutes half the Donny fans had walked out.

But the rest of them really enjoyed it. I got an encore. Yes, you’ve guessed it. I’d worked out the chords to Puppy Love on the mandola and memorised most of the words.

The rest is history. Never-to-be-repeated history, mind, but history nevertheless.

This music video is called Donny Osmond – Puppy Love (on Top Of The Pops) 1972.

Punk rockers unfairly linked to fascism on British TV


This music video from Britain says about itself:

Cockney Rejects– Oi! Oi! Oi!

15 September 2008

Cockney Rejects are an Oi! punk band that formed in the East End of London in 1979. Their song “Oi, Oi, Oi”, from their album Greatest Hits Volume 2, was the inspiration for the name of the Oi! music genre.[1] Their biggest hit record in the United Kingdom, “The Greatest Cockney Rip-Off”, was a parody of Sham 69’s song “Hersham Boys”. Other Cockney Rejects songs were less commercial, partly because they tended to be about hard-edged topics such as street fighting or football hooliganism. The band members are staunch supporters of West Ham United F.C., and their hit song “I’m Forever Blowing Bubbles” was a cover of a West Ham supporters’ chant, which had been sung since the 1920s.

The violence depicted in their lyrics was often mirrored at their concerts, and the band members often fought to defend themselves (often from supporters of opposing football teams) or to split up conflicts between audience members.[2] Jeff and Mick Geggus (who are brothers) had both been amateur youth boxers, and had fought at the national level. Cockney Rejects expressed contempt for all politicians in their lyrics, and they rejected media claims that they had a British Movement following, or that the band members supported the views of that far right group.

In their first Sounds interview, they mockingly referred to the British Movement as the “German Movement” and stated that many of their heroes were black boxers.[3] Jeff Turner’s autobiography Cockney Reject describes an incident in which the band members and their supporters had a massive fight against British Movement members at one of Cockney Rejects’ early concerts.[4]

From daily The Morning Star in Britain:

Punks Oi-rate over Channel 4 TV show

Saturday 17th January 2015

PUNK band Cockney Rejects hinted that it may sue Channel 4 after its music was used in documentary Young Angry and White to illustrate a supposed far-right association with the musical genre.

The longstanding group is reportedly threatening legal action as it feels song Oi Oi Oi was being associated with fascist violence.

In a recent interview with Louder Than War magazine Cockney Rejects guitarist Mick Geggus said he was so angry when he found out he “nearly choked.”

“My band and I have fought narrow-minded people from both sides of the political divide for over three decades now, and we have the scars to prove it,” Mr Geggus told fellow musician and music critic Joe Whyte.

“If it’s the last thing I do, I will not let Channel 4 get away with this slanderous act.”

The Cockney Rejects have been known to physically confront members of the neonazi British Movement who show up at their concerts.

UK Subs song Warhead was also featured despite having a a Japanese guitarist and a history of rejecting fascist politics.

This music video is called UK Subs “Warhead” (live).

Reminds me of my own UK Subs concerts memories …