Auschwitz survivor, Turkish rapper fight racism

This rap music video is called Microphone Mafia – Bella Ciao.

From Associated Press:

15:56 26/01/2010

Auschwitz survivor and Turkish rapper team up to fight racism

Esther Bejarano credits music with keeping her alive and is now using it to fight racism in Germany

Esther Bejarano says music helped keep her alive as a Jewish prisoner in Auschwitz and in the years that followed.

Now, 65 years after the liberation of the Nazi death camp, the 85-year-old has teamed up with a hip-hop band to spread her anti-racism message to German youth.

“It’s a clash of everything: age, culture, style,” Bejarano, a petite lady with an amiable chuckle, told The Associated Press ahead of Auschwitz Liberation Day on Wednesday. “But we all love music and share a common goal: we’re fighting against racism and discrimination.”

The daughter of a Jewish cantor from Saarbruecken in western Germany, Bejarano grew up in a musical home studying piano until the Nazis came to power and tore her family apart. Bejarano was deported to Auschwitz, where she became a member of the girls’ orchestra, playing the accordion every time trains full of Jews from across Europe arrived at the death camp.

“We played with tears in our eyes,” Bejarano remembered. “The new arrivals came in waving and applauding us, but we knew they would be taken directly to the gas chambers”.

Bejarano survived, but her parents and sister Ruth were killed by the Nazis.

For the past 20 years Bejarano has played music mostly from the past – Yiddish melodies, tunes from the ghetto and Jewish resistance songs – with her children Edna and Yoram in a Hamburg-based band called Coincidence. About two years ago, Kutlu Yurtseven, a Turkish immigrant rapper from the Cologne-based Microphone Mafia, got in touch with the band to see if they’d team up with them.

“Our band wanted to do something against the growing racism and anti-Semitism in Germany,” Yurtseven said in a phone interview Tuesday. “Yoram told me that first of all he had to ask his mother Esther what she thought about a crossover project with a bunch of young rappers”.

Bejarano, it turned out, thought hip-hop music was really a bit too loud, but also said she saw it as a good way to reach out to Germany’s youth.

“We want to keep the memories of the Holocaust alive, but at the same time look into the future and encourage young people to take a stand against new Nazis,” said Bejarano. “I know what racism can lead to and the members of Microphone Mafia are immigrants and have experienced their share of discrimination as well.”

The crossover of modern hip-hop and traditional Jewish folklore turned out to be quite a hit. The rappers have mixed Jewish songs with stomping hip-hop beats and also created new lyrics for some of the songs that are more accessible for a younger audience.

Last summer, the two bands released a CD called Per La Vita and a documentary about the band that was initially scheduled for the Auschwitz liberation anniversary is now supposed to be ready later this year to be shown at high schools across Germany. The CD was released on a small, independent label and it was not clear how many copies were sold.

Currently, the troupe is touring through Germany. Their audiences range from teenage immigrants at metropolitan youth centers to a more established, older crowd that usually favors Bejarano’s classic approach to music.

“They all love it,” said Bejarano. “Even some of the older guests sometimes climb on the chairs and dance.”

Ms Bejarano, after her 1960 return to (then West) Germany, joined the VVN, the Association of People Persecuted by the Nazis. This organization has a history of being attacked by the political Right and often by governments as “communist”.

The trial of the alleged SS guard John Demjanjuk has shed further light on Nazi crimes: here.

Those Germans who were expelled from Eastern Europe following World War II have long sought recognition of their plight. With a museum in sight, however, some associated with the project have been accused of historical revisionism. Germany, says one deputy board member, wasn’t solely responsible for starting the war: here.