American Green party witch-hunted in ‘Russia’ hysteria


This video from the USA says about itself:

Broadcast Exclusive: Jill Stein Says Senate Request for Docs on Russia Probe is “New McCarthyism

20 December 2017

The Senate Intelligence Committee has asked Dr. Jill Stein, the 2016 Green Party presidential candidate, for documents as part of its probe of Russian interference in the 2016 election. Committee Chair Richard Burr of North Carolina said on Monday that they are looking for potential “collusion with the Russians”. …

We speak with Dr. Jill Stein, the 2016 presidential nominee for the Green Party.

By Trévon Austin in the USA:

US Congress targets Green Party candidate Jill Stein over allegations of collusion with Russia

21 December 2017

On Monday, Senate Intelligence Committee Chairman Richard Burr said his committee has begun investigating Jill Stein, the Green Party’s presidential candidate in the 2016 election, in relation to evidence of alleged conspiracy or “meddling” by Russia. Stein said she was contacted by the committee with requests for information, including emails.

The targeting of Stein is a major intensification of the anti-Russia witch-hunt, which, in addition to fighting out factional disputes within the ruling elite, is aimed ultimately at domestic political opposition within the United States.

For over a year, Democrats have argued that Jill Stein’s campaign assisted Trump’s campaign by diverting support and votes away from Hillary Clinton, pointing to the fact that Trump’s margin of victory was smaller than Jill Stein’s total number of votes in Michigan, Wisconsin and Pennsylvania. This is now being used to suggest that Stein was in cahoots with Russian officials.

Mark Warner, the committee’s top-ranking Democrat, laid out the reactionary motives for investigating Stein’s campaign. “I will point out though that Ms. Stein was at the infamous dinner that included General Flynn and Vladimir Putin, and we do know that she has very complimentary things to say about Julian Assange, who certainly was being used by the Russians to take some of the hacked information and release it into our political system”, he said.

In 2015, Stein attended a dinner in Moscow celebrating the tenth anniversary of RT, the Russia-based news organization. The event has been used as a pretext by the committee to allege possible collusion between Stein and the Kremlin.

Photographs from the dinner show Stein sitting at a table with President Vladimir Putin and other prominent Russian officials. Michael Flynn, Trump’s former national security advisor who has agreed to a plea deal in the investigation of alleged Russian interference in the election, is seen sitting at the same table.

Assange attended the Green Party’s 2016 convention via Skype to discuss the leaked Democratic National Committee emails that pointed to efforts by the pro-Hillary Clinton DNC leadership to undermine the primary campaign of Bernie Sanders. Stein praised WikiLeaks and Assange, calling him a hero for publishing the emails.

In a statement released Monday, Stein said she attended the 2015 dinner in hopes of “reaching an international audience and Russian officials with a message of Middle East peace, diplomacy, and cooperation against the urgent threat of climate change.”

The fact that RT hosted the Green Party’s 2016 presidential debate, and has interviewed Stein multiple times, is also being used to suggest collusion between Stein and the Russian state.

Stein said she plans to cooperate with the committee’s requests, but warned against “the politicization, sensationalism and collapse of journalistic standards that has plagued media coverage of the investigation.”

In January, the director of national intelligence (DNI) released a report on “Russian intervention” in the 2016 election, declaring RT to be an arm of the Kremlin aimed at “sowing divisions” among the American people. Various actions have since been taken against the news organization, including forced registration under the Foreign Agents Registration Act (FARA), setting a dangerous precedent for the freedom of speech and press in the United States.

The DNI report alleged that “RT broadcast, hosted, and advertised third-party candidate debates and ran reporting supportive of the political agenda of these candidates. The RT hosts asserted that the US two-party system does not represent the views of at least one-third of the population and is a ‘sham.’”

These statements make clear the antidemocratic political motivations behind the censorship of RT and the investigation of Stein.

Jesse Ferguson, a former Clinton campaign spokesman, argued that Americans should know if a candidate was used by Russia to divert votes away from Clinton. “Russian operatives were not promoting Jill Stein because they thought she would win”, he said. “They were promoting her because they thought it would hurt Hillary Clinton and help Donald Trump.”

Zac Petkanas, former rapid response director for the Clinton campaign, typed “Jill Stein is a Russian agent” eight times in a single tweet. He continued in another thread to say that the Senate’s probe mattered because “she [Stein] played a big role in electing Putin’s favorite candidate: Donald Trump.”

Jill Stein has denounced these allegations. In a podcast on the Intercept, she said that there wasn’t any substantial conversation at the table where she was seen with Putin and Flynn because of language barriers. She was not paid for attending the event, and only gave a speech about nuclear disarmament and pursuing peace instead of war.

… the campaign to link Stein to “Russian meddling” sets a dangerous precedent for all critics of the US government. The return of McCarthyism is centered on anti-Russian hysteria, but is part of a broader campaign to censor political opposition in the face of mass social unrest.

The United States is the world’s wealthiest country, yet it has the highest levels of social inequality in the developed world. More than 40 million Americans, or 14.5 percent, live in poverty. Congress has passed a tax plan that will only further destroy the conditions of the working class by funneling trillions of dollars to the ultra-wealthy and slashing funding to social programs.

What the two big-business parties fear most is the development of a mass movement against the capitalist system. They aim to combat this threat by censoring the Internet, criminalizing political dissent, and preventing the free exchange of ideas.

From today:

Stein has absolutely nothing to answer for to the US Congress. As a presidential candidate, she was fully within her rights not only to attend a media event, but to meet and have discussions with any other public figure, foreign or domestic.

Is anyone expected to believe that neither Hillary Clinton nor her campaign had contact with any political leaders of other countries? On September 19, 2016, for example, Clinton met publicly with three foreign heads of state, including Ukrainian President Petro Poroshenko, installed in a fascist-led putsch, and Egyptian President Abdel Fattah al-Sisi, the butcher of Cairo who drowned the Egyptian revolution in blood.

The investigations into allegations of Russian “meddling” are based on unfounded claims that Russia manipulated the US elections. However, the fact that Sisi and Poroshenko are in power exposes the extent to which the United States meddles in the political affairs of every country all over the world, staging coups, propping up dictatorships and bombing and invading countries at will.

Over the past year, the Democratic Party and leading American media outlets have been monomaniacally focused on unsubstantiated allegations that the 2016 US elections were undermined by Russian interference: here.

UK steps up provocations against Russia: here.

Military: Britain’s army chief accused of alarmist hyperbole over Russian threats: here.

Mexico’s leftwing frontrunner laughs off Russia jibes and says: I’m no Moscow stooge: here.

In an overt act of political intimidation, the social media platform Twitter emailed hundreds of thousands of users Saturday informing them that they had shared or followed “Russian propaganda”: here.

Advertisements

Isadora Duncan, creator of modern dance


This video says about itself:

Glimpses of Isadora Duncan on film

28 May 2016

Many people have posted on Isadora Duncan on You Tube.

Some, the footage of her rapturously executing the final few steps of an outdoor performance.

Others, photographs of her dancing, images that curiously seem to capture some of the dynamism and modernness of her movement.

There is also disputed footage described by some as Isadora dancing at the Parthenon. Given that the Greek ideal was one of her primary sources of inspiration, the temple in Athens would be a likely place for film to be shot. And certainly there are photographs of Duncan in dance pose at the Acropolis. However, the temple in this footage here is obviously not in Athens, as it is low in altitude and there is sea in the background. And there is no reason to suppose the film is of Isadora herself – so perhaps a disciple, following in her footsteps.

And there’s footage of Isadora on board of a ship with the Russian poet Sergei Yesenin, whom she married in 1922.

Finally and rather morbidly I came across French newsreel footage of the car in which Isadora’s two children met their deaths in 1913 when the car they were traveling in plunged into the Seine in Paris. The talking head over this footage rather gruesomely comments ‘Voyons les enfants’!

All these resources are spread about and seem to justify a post putting them all together.

By Dana Naomy Mills in Britain:

Dancing to a Bolshevik tune

Saturday 4th November 2017

Dana Naomy Mills reflects on how the great dance innovator ISADORA DUNCAN was inspired by her time in the first workers’ state

TO SAY that Isadora Duncan (1877-1927) was the creator of modern dance is no exaggeration.

Her pioneering techniques, which broke with the rigid conventions of classical ballet, have inspired choreographers and dancers until this very day and her influence can be seen in the work of Pina Bausch, Martha Graham and Frederick Ashton, among many others.

From her early years as an artist, Duncan was a rebellious spirit. Refusing to accept rules in dance — and life — she discarded ballet shoes and tutus in favour of barefoot movement and loose-fitting costumes.

For Duncan, dance came from the soul and her style of free and natural movement was inspired by the classical Greek arts, folk dances, social dances, nature and natural forces as well as an American-inspired athleticism.

Born in San Francisco and raised in a poverty-stricken family, Duncan was always aware of her surroundings and social justice. “If my art is symbolic of any one thing, it is symbolic of the freedom of woman and her emancipation of the hidebound conventions that are the warp and woof of New England puritanism,” she once said.

After spending time in London and Europe performing to great acclaim and teaching, she was drawn to the monumental events occurring in Russia, a turning point in her own life. In 1921, at the invitation of the first Soviet People’s Commissar of Education Anatoly Lunacharsky, she arrived in Russia. She refused to accept money for her art — Duncan saw the goal of her work in Russia to bring beauty and the new dance to the new world being built.

“Adieu, then, inequality, injustice and the brutality of the Old World,” she wrote at the conclusion of her autobiography just before she left for Russia, “with all the energy of my being, disappointed in the attempts to realise any of my art visions in Europe, I was ready to enter the ideal domain of communism.”

In Russia, Duncan encountered some of the biggest figures of the revolution. Lenin watched her dance to the Internationale with admiration and she danced in front of the grandmother of German communism, Clara Zetkin. She bonded with the feminist-communist revolutionary Alexandra Kollontai over a shared bottle of vodka.

Duncan — motto: “No limits!” — saw dance as a powerful educational mechanism, stating that: “A free spirit can only exist in a freed body.” At the same time, she did not want her art to be “translated” or mediated. “I am not a politician,” she stated. “I am an artist. But I will try in my dancing to help America to understand the magnificent spirit of Russia”.

In bringing dance centre stage without requiring plots, heavy costumes or sets that would distract from the power of the human body, she exposed its essential power and all those who saw her perform remember a magnetic and unique energy and charisma.

At the same time, she always wanted to found a school, realising that dance, the most ephemeral of art forms, needs structure to survive.

She had hoped the huge promise of Soviet Russia would enable her that continuity.

But she left Russia in 1924, disillusioned by the lack of support for her school, the situation in the fledgling Soviet state and the breakdown of her personal relationship with the poet Sergei Yesenin. But her adopted daughter Irma took over the school after she left.

Duncan’s influence on Soviet modern dance was monumental and, in turn, the Russian revolution was a pivotal point in her work to use dance as an educational tool for justice.

Returning to her homeland on tour, in Boston in 1922 she waved a red scarf and declared: “This is red! So am I! it is the colour of life and vigour. You were once wild here. Don’t let them tame you!”

On this anniversary of the Russian Revolution, those words still inspire in the struggle for justice.

We must never allow ourselves to be tamed.