Julius Caesar’s genocide in the Netherlands discovery

Julius Caesar sculpture, AFP photo

Translated from NOS TV in the Netherlands:

Julius Caesar fought battle near Oss

Today, 19:02

Archaeologists say they found the final proof that Julius Caesar has marched around in what is now the Netherlands. They have identified the location of a battle in 55 BC in which Caesar defeated two Germanic tribes. Which took place at the present village Kessel in the municipality of Oss.

These two tribes were the Tencteri and Usipetes. It is uncertain whether they were Germanic or Celtic.

According to archaeologist Nico Roymans of VU University Amsterdam this is the first time that the presence of Caesar in the Netherlands has been confirmed. Until now the site of the battle, described by Caesar himself in Book IV of his De Bello Gallico, was unknown.

Archaeologists used historical, archaeological and geochemical data to arrive at their discovery. In the soil at Kessel they found large numbers of skeletal remains, swords, spearheads and a helmet.


The two Germanic tribes came from an area east of the Rhine and explicitly asked Caesar for asylum. Caesar did not accept that request. His troops then butchered the two tribes in an action that today, according to the scientists, would be described as genocide.

According to archaeologists, this is now also the earliest known battle on Dutch soil.

The first evidence for Julius Caesar’s invasion of Britain has been discovered by archaeologists: here.


London Roman age archaeological discoveries

This video from England is called The Roman gallery at the Museum of London.

From daily The Morning Star in Britain:

Wednesday 10 April 2013

Experts praise big City dig

An archaeological dig in the City of London that has unearthed thousands of Roman artefacts was hailed as “the most important excavation ever held in London” today.

Just yards from the Thames, in what is now the capital’s financial district, Museum of London archaeologists have found coins, pottery, shoes, lucky charms and an amber gladiator amulet which date back almost 2,000 years.

Experts excavating the site, which lies alongside a huge building project for new offices on Queen Victoria Street, have also uncovered wooden structures from about 40 AD around 40ft (12m) beneath the ground.

Sexism in British media

British historian Mary Beard, Photo: BBC/LION TELEVISION

From daily The Morning Star in Britain:

Things get ugly for journo after beauty comments

Wednesday 02 May 2012

Self-proclaimed “beauty” Samantha Brick sparked outrage today after claiming that some women were “too ugly for TV,” writes Louise Nousratpour.

Journalist Ms Brick, who was recently ridiculed for claiming “women hate me for being beautiful,” defended sexist remarks by TV critic AA Gill that BBC2 Meet The Romans presenter Mary Beard was too unattractive for television.

“While Ms Beard is a supremely intelligent woman…the plain truth is that Ms Beard is too ugly for TV,” she wrote in an article for the Daily Mail.

Do Ms Brick or her co-thinkers ever ask whether men on TV, intelligent or not so intelligent, are good-looking or not?

Ms Brick then argued that “savvy” presenters would realise their looks is key to success and consider undergoing complete makeovers, including cosmetic surgery.

But NUJ general secretary Michelle Stanistreet slammed Ms Brick’s inflammatory comments.

She said: “Women working in the media continue to face double standards, yet we know the public want to see, hear and read contributions from a diverse range of presenters, journalists and actors, not just – thankfully – the beautiful.”

Historian Mary Beard, who has been branded “too ugly for TV” by self-proclaimed “beautiful journalist” Samantha Brick, has said she will not lose any sleep over a “silly fuss”: here.

What We Look Like: A Comic About Women in Media. Anne Elizabeth Moore and Robyn Chapman, Truthout in the USA: “‘What We Look Like,’ with Anne Elizabeth Moore and Robyn Chapman, is a follow-up to Ladydrawers’ look at women’s participation in the labor force. This time, we look at why the diminished economic status of women isn’t popularly considered, even beyond media’s gendered hiring practices. The representations of women that do result are a far cry from the reality – compare for yourself!” Here.

Think sexist advertising isn’t a big deal? Think again: here.

Why It Sucks to Be a Woman in the Video Game Industry; here.

Ovid’s poetry influenced visual arts

Titian, Diana and Actaeon

From daily The Guardian in England:

The transformative effect of Ovid’s Metamorphoses on European art

As a summer National Gallery exhibition will show, Titian was the greatest visualiser of Ovid – but he had some major competition

The National Gallery once put on an exhibition about the influence of the New Testament on western art. Seeing Salvation argued that if you don’t know the biblical story of Christ, you can’t comprehend such paintings as Titian’s Noli Me Tangere. But this summer the same gallery showcases another, very different book that has also exerted a vast influence on European art – Ovid‘s Metamorphoses.

Written in Latin in the reign of the ancient Roman emperor Augustus, who exiled Ovid for naughtiness, this epic poem retells the myths of ancient Greece for a sophisticated Roman audience. Ovid’s audience worshipped these same gods, giving the Greek pantheon Latin names (Zeus became Jupiter or Jove, Aphrodite became Venus, and so on) but found the antics of their deities by turns salacious, shocking, hilarious and tragic.

Ovid tells stories in verse about the crazed love life of Jupiter, driven by his lusts for various nymphs to take the forms of a bull, or a cloud, or a shower of gold in order to trick or seduce them. He tells of the courage of Perseus, who killed Medusa, and the folly of Phaethon, who tried to drive the sun’s chariot. He was the favourite source of classical myth for artists in the 16th and 17th centuries, and reading his book is like flicking through a series of descriptions of famous paintings, so copiously has he been illustrated.

The National Gallery is putting on its show Metamorphosis to celebrate the two great Titians it has purchased in partnership with the National Gallery of Scotland. Diana and Callisto and Diana and Actaeon both depict scenes from Ovid. But if Titian was the greatest visualiser of Ovid he had a lot of competition. Such marvels of art as Correggio’s Jupiter and Io, Michelangelo’s Fall of Phaethon, and Carravaggio’s Medusa all draw heat from Ovid’s imaginative fire.

The exhibition Metamorphosis, an Olympic special tied in with new opera productions, involves works by contemporary British artists – including Chris Ofili and Mark Wallinger – that respond to Ovid’s myths. The gallery is also publishing newly commissioned poems after Ovid by writers who include Seamus Heaney.

Amazon statue of Herculaneum

This video is called Ancient Secrets of Herculaneum.

From LiveScience:

Ancient Amazon Warrior Statue Resurrected

By LiveScience Staff

posted: 13 January 2009

Laser-scanning and computer graphics are breathing virtual life into a 2,000 year-old statue of an Amazon warrior.

The Roman statue was discovered by the Herculaneum Conservation Project in the ancient ruins of Herculaneum, a town preserved in the same eruption that buried nearby Pompeii in AD 79.

Scientists think the statue represents a wounded Amazon warrior, complete with painted hair and eyes preserved by the ash that buried the town.

“The statue is an incredible find,” said study researcher Mark Williams of the University of Warwick‘s WMG (formerly Warwick Manufacturing Group). “Although its age alone makes it valuable, it is unique because it has retained the original painted surface, preserved under the volcanic material that buried Herculaneum.”

Pompeii a symbol of Italy’s sloppiness: here.

Herculaneum papyrus scrolls: here.

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