Dutch medieval counts ate swans and godwits

This video shows black-tailed godwits and marsh sandpipers.

Translated from NOS TV in the Netherlands:

Heron bones, skeletons and child soldier‘s button lay bare Counts’ Courtyard

Today, 16:29

When the counts and countesses [of the medieval county Holland] of the house ‘Die Haghe’ – the current Binnenhof – ate, swans, herons and black-tailed godwits were on the menu. Already in the 12th century there was skating on the Hofvijver. And right next to the existing tram line #1 Stadtholder Prince Maurice in 1620 had a pleasure garden built to find relaxation behind a brick wall with his mistresses.

These are just some suggestive facts from the book Het grafelijke en stadhouderlijke hof Den Haag [The counts’ and stadtholders‘ court in The Hague], which was presented today. The archeology department in The Hague has summarized 300 years of archaeological excavations and that gives a very detailed picture of life around the historic Courtyard, where Count Floris IV about 1230 founded the court Die Haghe. …

One of the most beautiful discoveries according to [archaeologist] Van Veen is a cuff button of a child soldier from the time of [King of Holland, 1806-1810] Louis Bonaparte. Around 1806 boys of about nine years were taken from the orphanages to fight. On the Malieveld field they were taught to handle weapons.

English suffragette Sylvia Pankhurst

This video is called Suffragette [film] Official Trailer #1 (2015) – Carey Mulligan, Meryl Streep Drama HD.

By Steven Walker from Britain:

The suffragette who has been conveniently ignored

Thursday 7th January 2016

Sylvia Pankhurst recognised early on that discrimination against women was an integral part of the capitalist system. STEVEN WALKER has the story

The film Suffragette, although widely welcomed, has come in for criticism due to its failure to portray black suffragettes.

Indian women demonstrate for women's suffrage in 2011

At its Bafta screening in London last November, the film’s screenwriter Abi Morgan stated that, due to the low levels of non-European immigrants residing in Britain in 1911-13, there were very few suffragettes of colour in Britain and that those few, such as Indian princess Sophia Duleep Singh, were upper-class women who did not move in the working-class circles in which Suffragette is set.

Dr Paula Bartley, a historian focusing on women in history and the suffrage movement and biographer of Emmeline Pankhurst, confirmed that the film’s depiction of race was historically accurate, telling the New Statesman: “Britain [in 1911-13] was a white society in the main, and [its] suffragette movement reflected that.”

Bartley stressed that the British suffragette movement was “very different from the American case or the Australian case or the New Zealand case, because although there were ethnic minorities in Britain at that time, there wasn’t the same scale or the same questions of citizenship as there were in other countries.”

But there is another omission in the film — Sylvia Pankhurst. The daughter of Emmeline was arguably the more radical member of that incredible family, yet she is largely absent from the screenplay.

Sylvia was passionately anti-war and organised a peace campaign in 1916 in the East End of London.

The protesters were violently broken up as the government sought to stoke nationalist fervour. She would later write: “Peace and the popular government of the world to end this capitalist system of ruthless materialism, stood out for me as the two great needs of the hour.”

This more explicitly socialist, internationalist and anti-imperialist perspective would come to define her activity in the next few years.

For example after the brutal crushing of the 1916 Easter Rising in Dublin and the execution of leading Republican officials it was Sylvia who championed the cause of Irish secession from the United Kingdom.

It is often forgotten that the successful Russian revolution of October 1917 began with female textile workers going on strike in St Petersburg. This protest inspired men from other trades to join in and eventually the troops and sailors who mutinied became a decisive factor in Lenin’s success.

Sylvia Pankhurst was one of a few suffragettes who, while campaigning vigorously for women’s rights, also had a wider political view than her older sister Christabel.

She recognised the Russian revolution was a class war and criticised the provisional government established after the February 1917 uprising, which consisted of those whose leader was a prince who wanted to continue fighting in WWI and sought only superficial political change, and the soviets made up of peasants united with the military and urban proletariat who wanted deeper social changes.

She realised there was unfinished business in Russia and that the nascent February revolution should go further and become an anti-war movement.

When the Bolsheviks gained majority control … after the October victory they immediately pulled Russia out of WWI. This caused the other anti-German powers to change from having welcomed the premature February revolution in Russia and the pro-war provisional government, to condemning the Bolsheviks and begin a propaganda campaign demonising them.

Sylvia campaigned against this propaganda, organising radical groups in the East End of London, was imprisoned several times but helped establish a group who were to declare themselves the first British Communist Party.

This group, inspired by Sylvia and Jewish organisations in the East End of London, fought against Oswald Mosley’s virulent anti-semitism and fascist ideology, laying the foundations for the subsequent election of Phil Piratin as the first Communist Member of Parliament in 1945.

In a detailed analysis of her life, Sylvia Pankhurst: Suffragette, Socialist and Scourge of Empire, the author Katherine Connelly challenges the prevailing narrative about the Pankhurst family and how Sylvia has been eclipsed.

For example, she broke away from the middle-class elitism of the suffragette campaign organised by Emmeline and Christabel, instead charting a course that put working-class women at the forefront of fighting for the right to vote.

Emmelene and Christabel were in fact vociferous supporters of the war, suspended publication of the militant Suffragette and republished it as the patriotic Britannia.

They urged women to join in the war effort with Churchill’s blessing.

Sylvia, in contrast to Churchill’s desire to: “strangle the Bolshevik baby at birth,” was a strong supporter of the October revolution and was inspired by the soviets which placed power in the hands of ordinary people.

In the 1920s she was one of the first people to recognise the danger posed by the rise of fascism in Italy at a time when Churchill was expressing his admiration for Mussolini. She was also perceptive in predicting the colonialism that spread across Africa as an inevitable consequence of European imperialism.

Sylvia Pankhurst, the forgotten suffragette, was an inspiring and courageous leader, who more than anything else recognised that injustices and discrimination against women could not be separated from wider struggles against a capitalist system that is inherently corrupt and seeks to subjugate workers across the world and maintain the power and control of the ruling class.

Beyoncé writing, acting in film about Saartjie Baartman

This 3 January 2016 video from the USA says about itself:

Beyoncé Will Reportedly Star in Her Own Movie, about Saartjie Baartman

From Vulture.com in the USA:

Beyoncé Is Writing and Starring in a Movie About Saartjie Baartman

By Greg Cwik …

Queen Béy, the biggest pop star of the still-young millennium, wants to be taken seriously as an actress. A decade ago (!) she appeared in the third Austin Powers film, Goldmember, in which she was quite fun, but her next film will be considerably more serious: She’s penning a script for a film about Saartjie Baartman (nicknamed the Hottentot Venus), a South African woman and one of two famous Khoikhoi women who were paraded and displayed in 19th-century London freak shows for their big buttocks and elongated labia. There’s no word yet as to when Beyoncé‘s film will shoot or be released, but you can rest assured that it will be a hit. Béy hive, assemble!

UPDATE: This was denied later.