This video says about itself:
Antiquities of Mexico: comprising fac-similes of Ancient Mexican Paintings and Hierogliphics, preserved in the Royal Libraries of Paris, Berlin and Dresden; in the Imperial Library of Vienna; in the Vatican Library; in the Borgian Museum at Rome; in the Library of the Institute al Bologna, and in the Bodleian Library at Oxford; together with the Monuments of New Spain by M. Dupaix; the whole illustrated with many valuables inedit Manuscripts by Lord Kingsborough; the drawings on stone by A. Aglio
Vol. I. Copy of the Collection of Mendoza, preserved in the Selden Collection of Manuscripts in the Bodleian Library at Oxford (73 pág.); Copy of the Codex Telleriano-Remensis, preserved in the Royal Library at Paris (93 pág.); Fac-simile of the original Mexican Hieroglyphic Painting, from the Collection of Boturini (23 pág.); Fac-simile of an original Mexican Painting in the Collection of Sir Thomas Bodley in the Bodleian Library at Oxford (40 pág.); Fac-simile of an original Mexican Hieroglyphic Painting, preserved in the Selden Collection of Manuscripsts in the Bodleian Library at Oxford.
Vol. II. Copy of a Mexican Manuscripts, preserved in the Library of the Vatican (149 pág.); Fac-simile of an original Mexican painting given to the University of Oxford by Archbishop Laud, and preserved in the Bodleian Library (46 pág.); Fac-simile of an original Mexican Painting, preserved in the Library of the Institute at Bologna (24 pág.); Fac-simile of an original Mexican Painting, preserved in the Imperial Library at Vienna (66 pág.); Fac-similes of original Mexican Paintings deposited in the Royal Library at Berlin by the Baron de Humboldt, and of Mexican Bas-relief preserved in the Royal Cabinet of Antiques.
Vol. III. Fac-simile of an original Mexican painting, preserved in the Borgian Museums, at College of Propaganda in Rome (76 pág.); Fac-simile of an original Mexican Painting, preserved in the Royal Library at Dresden (74 pág.); Fac-simile of an original Mexican Painting in the possession of M. de Fejérváry, at Pess in Hungary (44 pág.); Fac-simile of an original Mexican Painting, preserved in the Library of the Vatican (96 pág.).
Vol. IV. Monuments of New Spain by M. Dupaix, from the original drawings executed by order of the King of Spain Specimens of Mexican Sculpture, in the possession of M. Latour Allard in Paris; Specimens of Mexican preserved in the British Museum; Plates copied from the Giro del Mondo of Gemelli Careri: with an engraving of a Mexican Cycle, from a painting formerly in the possession of Boturini; Specimen of Peruvian Quipis, with plates representing a carved Peruvian box containing a collection of supposed Peruvian Quipus.
Vol. V. Extrait de l’ouvrage de M. de Humboldt sur Les Monuments de l’Amerique; Esplicación [sic.] de la Colección de Mendoza; Explicación del Codez Telleriano-Remensis; Codice Mexicano che si conserva nella Biblioteca Vaticana; Viages [sic.] de Guillermo Dupaix sobre Antigüedades Mexicanas; Libro sexto de la Retórica y Filosofía Moral y Teológica de la gente mexicana donde hay cosas muy curiosas tocantes a los primores de la lengua y cosas muy delicadas tocantes a las virtudes morales / por…Bernardino de Sahagún.
Vol. VI. Historia Universal de las cosas de la Nueva España / por…Bernardino de Sahagún. — Vol.VII. Appendix: the interpretatione of the Hieroglyphical Paintings of the Collection of Mendoza; The explanation of the Hieroglyphical Paintings of the Codex Telleriano-Remensis; The traslation of the explanation of the Mexican Paintings of the Codex Vaticanus; The monuments of the New Spain by M. Dupaix
From Leiden University in the Netherlands:
High-tech imaging reveals rare precolonial Mexican manuscript hidden from view for 500 years
Published on 16 August 2016
Researchers from the University of Oxford’s Bodleian Libraries and from universities in the Netherlands have used high-tech imaging to uncover the details of a rare Mexican codex dating from before the colonisation of America.
The newly-revealed codex, or book, has been hidden from view for almost 500 years, concealed beneath a layer of plaster and chalk on the back of a later manuscript known as the Codex Selden, which is housed at the Bodleian Libraries. Scientists have used hyperspectral imaging to reveal pictographic scenes from this remarkable document and have published their findings in the Journal of Archaeology: Reports.
Ancient Mexican codices are some of the most important artefacts of early Mexican culture and they are particularly rare. Codex Selden, also known as Codex Añute, dates from around 1560 and is one of less than 20 known Mexican codices to have survived the colonisation of America. Of those, it is one of only five surviving manuscripts from the Mixtec area, now known as Oaxaca in Mexico. These codices use a complex system of pictures, symbols and bright colours to narrate centuries of conquering dynasties and genealogies as well as wars and the history of ancient cities. In essence these codices provide the best insight into the history and culture of early Mexico.
Since the 1950s, scholars have suspected that Codex Selden is a palimpsest: an older document that has been covered up and reused to make the manuscript that is currently visible. Codex Selden consists of a 5-metre-long strip of deer hide that has been covered with white plaster made from gypsum and chalk, and folded in a concertina format into a 20-page document. The manuscript underwent a series of invasive tests in the 1950s when one page was scraped, uncovering a vague image that hinted at the possibility that an earlier Mexican codex is hidden beneath.
Until now, no other technique has been able to unveil the concealed narrative in a non-invasive way. The organic paint that was used to create the vibrant images on early Mexican codices does not absorb x-rays, which rules out x-ray analysis that is commonly used to study later works of art.
‘After 4 or 5 years of trying different techniques, we’ve been able to reveal an abundance of images without damaging this extremely vulnerable item. We can confirm that Codex Selden is indeed a palimpsest,’ said Ludo Snijders from Leiden University, who conducted the research with David Howell from the Bodleian Libraries and Tim Zaman from the University of Delft. This is the first time an early Mexican codex has been proven to be a palimpsest.
‘What’s interesting is that the text we’ve found doesn’t match that of other early Mixtec manuscripts. The genealogy we see appears to be unique, which means it may prove invaluable for the interpretation of archaeological remains from southern Mexico,’ Snjiders said.
Some pages feature more than 20 characters sitting or standing in the same direction. Similar scenes have been found on other Mixtec manuscripts, representing a King and his council. But the analysis of this particular text shows that the characters are both male and female, raising interesting questions about what the scene represents.
The imaging has also revealed a prominent individual who appears repeatedly on the document and is represented by a large glyph consisting of a twisted chord and a flint knife. The name seems to resemble a character found in other Mexican codices: the Codex Bodley (in the Bodleian’s collection) and Codex Zouche-Nuttall (in the British Museum).That character is an important ancestor of two lineages connected to the important archaeological sites of Zaachila and Teozacualco in Mexico. However, further analysis is needed to confirm that it is the same individual.
The researchers analysed seven pages of the codex for this study and revealed other images including people walking with sticks and spears, women with red hair or headdresses and place signs containing the glyphs for rivers. They are continuing to scan the remainder of the document with the aim of reconstructing the entire hidden imagery, allowing the text to be interpreted more fully.
‘Hyperspectral imaging has shown great promise in helping us to begin to reconstruct the story of the hidden codex and ultimately to recover new information about Mixtec history and archaeology,’ said David Howell, Head of Heritage Science at the Bodleian Libraries. ‘This is very much a new technique, and we’ve learned valuable lessons about how to use hyperspectral imaging in the future both for this very fragile manuscript and for countless others like it.’