This 2011 video says about itself:
The Seventh String: The Life and Tales of Bucky Pizzarelli
A documentary on the life of renowned jazz guitarist Bucky Pizzarelli, from his experience on The Tonight Show to traveling with Benny Goodman.
Made for Unscripted, a summer class taught at the Jacob Burns Media Arts Lab for aspiring student documentary filmmakers.
By Hiram Lee in the USA:
6 April 2020
Numerous prominent musicians may be counted among the more than 1.2 million confirmed cases of COVID-19 recorded globally and the nearly 70,000 lives that have now been lost.
Cameroonian saxophonist Manu Dibango, of “Soul Makossa” fame, died March 24 at the age of 86. Pianist Mike Longo, a longtime collaborator of Dizzy Gillespie’s, died March 22 at 83. Songwriter Adam Schlesinger died April 1 at 52.
The 73-year-old British singer Marianne Faithfull was recently hospitalized in London. Beloved country singer John Prine, also 73, has now spent more than a week in an ICU, where he has needed the assistance of a ventilator. Guitarist Larry Campbell, 65, has also been fighting the disease. “For the past two weeks, I’ve been struggling to stay alive,” he told Rolling Stone magazine in an interview published April 2.
In the last week alone, three significant jazz musicians in the US lost their lives: Ellis Marsalis, Bucky Pizzarelli and Wallace Roney. Their deaths are the result, not only of a terrible virus, but of the criminal inaction and deliberate neglect of the US government in its response to the COVID-19 pandemic.
Pianist Ellis Marsalis, Jr. died April 1 at the age of 85. In addition to his achievements as a pianist and music educator, Marsalis also founded his own musical dynasty. His sons include trumpeter Wynton, saxophonist Branford, trombonist Delfeayo and drummer Jason. …
Marsalis and Pizzarelli, it needs to be pointed out, were both in the age range considered expendable by American capitalism. As they succumbed to COVID-19, Trump administration officials, right-wing commentators such as Glenn Beck and more “reasonable” figures like New York Times columnist Thomas Friedman all publicly debated whether it would not be better for the economy to let such people die.
The cold calculations of these spokesmen for profit stand in stark contrast to the warmth and humanity exhibited by the large numbers of ordinary people now grieving the loss of these artists. Well into their 80s and 90s, Marsalis and Pizzarelli, continued to give something meaningful to the world they lived in, just as they always had, and just as many countless others do, in large and small ways, most of whose names will never be widely known. In the context of the homicidal debates raging among the various mouthpieces for governments and corporations, the lives of these veteran artists somehow come to represent the humanity of an entire generation.
The deaths of these musicians, moreover, are a further reminder of the devastating cultural dimensions of the COVID-19 pandemic. We go forward with the confidence that the murderous inhumanity of the ruling elite will not go unanswered by the working class.