Kafka’s ape on stage


This video says about itself:

Kafka’s Monkey trailer

3 June 2015

This sell-out production features an extraordinarily physical performance from Olivier Award-winner Kathryn Hunter as a chimp who assimilates human behaviour to become a master of the ‘civilised world’ – a walking, talking, spitting, smoking, hard-drinking man of the stage.

Kafka‘s Monkey runs until Sat 27 June.

By Paul Foley in England:

The beast in man

Tuesday 23rd June 2015

Kafka’s Monkey has some discomfiting things to say about our attitudes to the animal world, says PAUL FOLEY

Kafka’s Monkey

HOME, Manchester

5/5

ADAPTED by Colin Teevan, this play is based on Franz Kafka’s intriguing short story A Report to an Academy, where a domesticated ape — Red Peter, so named because of the scar he received when shot by hunters — is invited to give a lecture to the esteemed members of the institution.

He describes his journey from a captive beast to a human with the “average education of a European” and how, once captured, he comes to realise he has two options — a zoo or the circus. The first is merely swapping one cage for another and, while the circus may appear to offer some kind of escape, he has no illusions that this represents liberty. “People all too often are deceived by freedom,” he says.

Professing satisfaction at what he has attained, he will not countenance regret. Yet the sorrow in his eyes tells a different story, one in which there is a real sense of loss for a culture and an identity as an ape in the wild.

This is an engrossing hour-long discourse on the meaning of captivity, freedom, migration and whether assimilating into a host culture can be an escape or merely a different type of shackle.

Kathryn Hunter is extraordinary as the ape. Her physicality and flexibility are breathtaking as she lumbers across the stage in a shabby top hat and tails, playfully interacting with her audience. Astonishment and fascination at her performance slowly give way to discomfort and sadness at the realisation that it is we, humanity, who stand accused.

Audiences across the world have reacted very differently to the play. In Australia, comparisons have been made with the plight of the Aboriginal people, while in New York a Jewish audience believed that Kafka was talking about them. That’s hardly surprising, since Kafka’s Monkey speaks to a world that turns its back on desperate people who risk their lives in overcrowded, leaky boats merely to swap poverty and war for hostility and incarceration in inhumane prison camps. In making us reflect on those parallels, Hunter’s wonderfully humane performance is a must-see.

Runs until June 27, box office: homemcr.org.

Court rules: Kafka’s papers belong in Israel’s National Library. Judges say Eva Hoffe has been holding the papers she inherited from her mother, Max Brod’s secretary, illegally and ordered her to transfer them to the National Library: here.

1 thought on “Kafka’s ape on stage

  1. De transformatie vangt aan wanneer…

    Afgelopen vrijdag vond de eerste van de drie voorstellingen plaats in het kader van de “zomer-transformaties” van het nieuwe Leidse theater De Generator. Aan de zaal van het theater wordt nog druk gewerkt en de bouwsteiger die er nog stond werd organisch in de voorstelling opgenomen. Wigbertson Julian Isenia, Andro Čengić en Oriana van der Sande-Semenciuc droegen voor uit Franz Kafka’s boek “De gedaanteverwisseling” (“Die Verwandlung“), en wel in het Papiamentu, Duits en Roemeens. Het was een indrukwekkende voorstelling. Lees meer:

    https://www.doorbraak.eu/de-transformatie-vangt-aan-wanneer/

    Like

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