This music video is called Benjamin Britten – Our Hunting Fathers, Op. 8 (1936) – 5. Epilogue and Funeral March.
By Peter Frost in Britain:
Music of deep principle
Wednesday 16 January 2013
Benjamin Britten‘s work is the best indicator of the progressive political convictions that guided his entire life
Britain is about to go Benjamin Britten mad in this the 100th anniversary year of his birth. And so it should for he was arguably the greatest of the British classical composers of the second half of the 20th century.
Indeed he must be counted among the greatest British composers ever.
But will the hundreds of radio and TV programmes and printed articles actually tell the real story of his life and his strongly held political opinions – probably not.
Will Britten come over as a posh aloof Establishment figure or a man who spoke throughout his life with the melodious voice of the common people?
Benjamin Britten was born in in 1913 in the Suffolk fishing port of Lowestoft. He would be associated with that county and its beautiful coast all his life.
He showed musical gifts very early, making his first attempts at composition aged just five. At seven he started piano lessons and viola lessons at the age of 10.
In 1924 aged 11 he studied with Frank Bridge and by the time he was 12 he had written a dozen major works.
Early political education came at Gresham, a public school in Holt Norfolk. Two of his Gresham classmates would become well known – if very different – communists.
One was James Klugman who would write the official History of the Communist Party of Great Britain. The other was Donald Maclean, famous as one of the Cambridge spies who penetrated and embarassed British intelligence.
The three young schoolboys would discuss politics and communism avidly.
In 1930 Britten won a Scholarship at the Royal College of Music in London – among his examiners were John Ireland and Ralph Vaughan Williams.
Soon he was earning a living from his music penning mostly film scores and music for radio plays. By 1935 he was writing scores for the famous GPO film unit.
Here he met left-wing poet WH Auden and together they worked on films featuring working people such as Coal Face and the legendary Night Mail.
At this time Britten became part of a group of somewhat idealistic young left-wing intellectuals around the charismatic Auden.
The group’s dreams of an ideal world just around the corner were dashed by the Spanish civil war and the rise of the nazis in Germany and fascism across Europe.
Britten, sympathetic to the young republican Spanish government and those brave young men who went to Spain to fight in the International Brigades, performed in benefit concerts raising money and support for the cause.
In 1936 he first met with the tenor Peter Pears. They fell in love. Pears was to become his musical collaborator and inspiration as well as his life partner.
As war clouds gathered In 1937 he composed a Pacifist March for the Peace Pledge Union of which he had become an active member. He would remain a dedicated pacifist right up until his death.
Britten wrote Albert Herring for the English Opera Group in 1947 and it was while touring with this opera that he and Pears came up with the idea of mounting a festival in the small Suffolk seaside town of Aldeburgh.
Like many other cultural figures of the 1930s such as Auden, Isherwood and Spender, Britten spent the early part of WWII in the US.
Slater was a journalist turned poet who based the opera story on part of a much longer work by Suffolk poet George Crabbe.
Montague Slater and Benjamin Britten changed the story radically. Grimes changed from villain to victim.
The opera shows Grimes as an alienated outsider desperately trying to achieve happiness by catching enough fish to support a wife and family.
Tragedies befall two young fisher boys Peter Grimes had employed, leading to Grimes being persecuted and ostracised by local people.
The theme echoes Britten’s own feeling of alienation, being a persecuted outsider both for his homosexuality and his progressive political views.
The opera also catches perfectly the atmosphere of the Suffolk coast around Aldeburgh where Britten would live, work and establish his world-renowned Aldeburgh Music Festival.
Peter Grimes is one of England’s finest operas with wonderful music and a dramatic story. The opera premiered at Sadler’s Wells in June 1945 to wide acclaim and full houses.
Other operas followed. Similar themes of the outsider haunt two of Britten’s other great operas Billy Budd and the Turn of the Screw.
In 1961, in a huge tide of cultural resurgence around the rebuilding of Coventry Cathedral, avowed pacifist Britten was commissioned to write the War Requiem for the official opening.
Britten chose the Latin mass and the poignant WWI poems of Wilfred Owen to provide the text for this dramatic and emotional work.
Although Britten’s music is firmly rooted in the coast and countryside of England he was always a great internationalist.
An early friend and inspiration was left-wing US composer Aaron Copeland whose radical politics saw him blacklisted in the McCarthy witch-hunts.
Britten also worked with and befriended and championed controversial Soviet composer Dmitri Shostakovich.
The British musical establishment which had originally shunned Britten for his sexuality and progressive politics finally offered him their highest honours.
In the 1960s he turned down a knighthood. Just before his death in 1976 he finally accepted a peerage becoming Baron Britten.
This year, on the 100th anniversary of his birth – as his works are performed – Baron Britten will feature as a respectable Establishment figure.
Don’t believe it. Listen rather to Ben Britten’s music, where his humanity and his progressive ideas still ring out loud and clear.
- Benjamin Britten at 100 – time for a new appraisal? (guardian.co.uk)
- Britten’s got talent: The celebrations for the centenary of Benjamin Britten will span the globe (independent.co.uk)
- Benjamin Britten inspires new work ahead of centenary celebrations (guardian.co.uk)
- Benjamin Britten biography reveals how censors cut composer’s ‘obscene’ opera (telegraph.co.uk)
- Music: Celebrating genius of Benjamin Britten and Peter Pears (birminghampost.net)
- Benjamin Britten’s centenary the ideal chance to revisit his music (scotsman.com)
- Benjamin Britten is 98¾ (intermezzo.typepad.com)