Pope Francis I ‘failed to protect Jesuit priests’


This video says about itself:

The Payment of Teresa Videla

This film is a composite portrayal of the fate of political prisoners in Argentina in the 1970s, but could easily apply to other countries in South and Central America that were offered training in torture by the American government is the supposed task of containing socialism. Drawn from interviews published in the press in the USA and Europe as well as with citizens of various countries where such torture took place. The narration is fictional presenting a complaint that should have been made by individual officers to stop the practice as it denigrated the honor of these countries forever.

From daily The Morning Star In Britain:

Pope ‘failed to protect’ Jesuit priests, court told

Friday 19 April 2013

Graciela Yorio has accused Pope Francis of failing to protect her brother from Argentina’s military dictatorship.

She told a court the pope abandoned Jesuit priests Orlando Virgilio Yorio and Francisco Jalics to be tortured by the junta in 1976.

The pontiff has claimed he did everything in his limited power to appeal to the dictatorship to stop seizing the slum priests who were fighting for the poor.

But Ms Yorio said even before the March 1976 coup that overthrew Isabel Peron, the then Jorge Mario Bergoglio refused to help the pair when they were accused of being “subversive and extremists.”

They were later seized and taken to the notorious Navy Mechanics School where they were tortured, turning up five months later drugged and blindfolded in a field.

Mr Bergoglio told his official biographer and the court that they were released thanks to his persistent back-room pressure.

But Ms Yorio said she was never told anything.

Good Indian lion news


This video from India says about itself:

Dec 25, 2012

The Last Refuge is a film on the natural history and the conservation issues related to the Asiatic Lion, a critically endangered species which survives in the wild only in the Gir Forest and adjoining area in Gujarat. The last specimen in Pakistan died in 1842 and after the middle of the nineteenth century the entire species was wiped out except in India where only 12 lions were left in 1880. All lions in Gir are descendants of the once surviving 12 lions of the area. Inbreeding has caused a weakening of the gene pool.

The Gir Forest in Gujarat is as old as 3000 years and there are people living inside the forest whose heritage is almost 1000 years old. The forest has the highest density of top carnivores. The thick scrub forest and a shortage of prey do not allow the Asiatic Lion to hunt in prides. The Asian lion often stalks the prey individually. Both sexes participate simultaneously in eating as against the African custom of first allowing the lion to have his share. An adult lion may consume 10 to 20 kg of meat. During difficult times it can go without food for more than 10 days.

The presence of human population and livestock in and around the forest together with a reduction in genetic quality in the lions has pushed the species to the point of extinction. There are just a little over 400 of these magnificent animals left in the wild. The loss of habitat is forcing some to leave the forest.

From Wildlife Extra:

Indian court rules in favour of translocating Asiatic lions to new reserve

“Human Assisted Dispersal” of India’s lions will be a very good development

April 2013. India’s Supreme Court’s recent judgment permitting translocation of some of the endangered Asiatic Lions from Gujarat’s Gir National Park to Kuno Palpur Wildlife Sanctuary in Madhya Pradesh is considered to be a good and essential step for the long-term survival of the species.

Rationale

The re-introduction of Asiatic Lions into some part of their former range, which once existed from West Asia to eastern parts of India, has long been debated at various levels. Commenting on the re-introduction of Asiatic Lions in Kuno Palpur Wildlife Sanctuary, Dr Asad Rahmani, Director, BNHS said “It is a very good development and we welcome the move. Relocating some lions is a wonderful idea for the long-term survival of the species and should have been done much earlier”.

Explaining the rationale, he added that the region where the re-introduction would take place was formerly a part of the natural range of Asiatic Lions. Lions are adaptable animals and can withstand the high temperatures in central India. They were also found in a wide range of habitats and climatic conditions in their former range across Asia. Dr Rahmani who is also a member of the National Board for Wildlife (NBWL) has been quoted in the recent judgment saying that that sporadic presence of tigers in Kuno was in no case detrimental to re-introduction of lions.

Human Assisted Dispersal required as no forest corridors exist

BNHS observes that whenever natural dispersal of wild species is not possible any longer due to lack of habitat corridors because of human activities and settlements, it is essential to have Human Assisted Dispersal. Dr Rahmani elaborates on the point saying that although there has been good growth in the numbers of Asiatic Lions in Gujarat following conservation measures, there are no forest corridors available at present for the animals to disperse to other areas of their former range in other states. In such cases Human Assisted Dispersal is required. The same can be used for other threatened species on case to case basis.

Bombay Natural History Society (BNHS) is fully behind re-introduction of lions to Kuno Palpur Wildlife Sanctuary. BNHS is of the opinion that many other threatened species can be conserved using this approach wherever it is necessary and appropriate to do so.

International Puppet Festival in India


This video says about itself:

Animated by Gul Ramani with traditional shadow puppets of India. A Gazelle´s Wish is a tale from the ancient Panchatantra. This poetic film tells the story of a Gazelle that gets caught for a prince and is brave enough to speak against her captivity. The original film has a length of 6 minutes.

This video is the original film.

From Prensa Latina news agency:

International Puppet Festival in India

New Delhi, Apr 8. Puppeteers from seven countries are participating starting today at India’s International Puppet Festival, showcasing an art that emerged in that ancient nation about 500 years before Christ.

The event, that was scheduled to run until April 16th, is gathering national puppet companies from Russia, Iran, Portugal, Italy, Spain and Israel, with works that, according to organizers, join traditional and new techniques.

In the last decade, that art has been combined with others as theater, dance and pantomime, redefining its ancient features for the delight of an increasing crowd of admirers that is not restricted simply to children.

The Festival will have its venue in New Delhi, Gurgaon (a satellite city of the capital and Chandigarh, about 235 kilometers north) with a theoretical section to be held on the 11th and 12th.

According to historians, there were already puppeteers in places like Tamil Nadu (south), about five centuries before the common era. The works were generally inspired by subjects of Hindu mythology.

French film on nazi anti-Jewish atrocities


This video is part of the film “Shoah” about the Holocaust, Claude Lanzmann, edited by Ziva Postec.

From Prensa Latina news agency:

Documentary about Nazi Experiments on Jews to be Presented in France

Paris, Apr 7. A documentary about the murder of 86 Jews in Nazi experiments during Word War II, will be presented on April 10th in that capital city.

In the Name of Race and of Science, Strasbourg 1941-1944” relates how the mutilated corpses found in the basement of the Anatomy Institute of the Strasbourg University, were destined to leave a trace of Jewish people once they were exterminated.

Under the guidance of Heinrich Himmler, head of the SS and later Interior Ministry, those men and women who came from Auschwitz concentration camp in 1943, were murdered in gas chambers in France and sent to the Strasbourg university to be preserved in formol.

To avoid the brutal crime remaining unpunished in Europeans’ memory, the producer Temps Noir and the directors Sonia Rolley, Axel and Tancrede Ramonet decided to make the 55-minute documentary, which shows unknown images from archives.

“I found that story by accident in 2005, when I was a journalism student in Strasbourg”, said Rolley.

She said also that through that story, practically unknown, they could discover the entire criminal mechanism of the Nazis.

The film was premiered this week in Rothau, an Alsatian commune very close to where a Nazi concentration camp operated during German occupation.

To mark Holocaust Remembrance Day this year — it falls on Monday, April 8, 2013 — HBO is premiering 50 Children: The Rescue Mission of Mr. and Mrs. Kraus, a deeply affecting story about how an American couple from Philadelphia went into the heart of Nazi-occupied Europe, risking their personal safely to save 50 Jewish children from the Shoah: here.

Czech film on anti-nazi resistance


This is the trailer of the Czech film Zelary, with English subtitles.

By Virginia Smith, New York City, USA:

Letter from a reader on Zelary, a Czech film set in World War II

28 March 2013

Zelary is a remarkable 2003 film from the Czech Republic, directed by Ondrej Ontran (and available from Netflix and Amazon). It is the story of a woman who escapes from the Gestapo crackdown on resistance groups in Prague during World War II by the only way possible at the moment: moving to the small mountain village of Zelary, there to pass as the wife of a sawmill worker who is being treated at the hospital where she is a nurse.

Eliska (Anna Geislerova) had carried messages for the resistance, with surprising insouciance, which comes crashing down when she is followed, her mission suspected, and members of her group begin to be executed.

In this desperate situation Eliska agrees to the plan proposed by a colleague, and the film becomes the story of her life as a member of the mountain community of Zelary. Eliska endures a traditional marriage ceremony—costume and cart—and moves into the home of the selected husband, who offers her “kitchen, bedroom, front room and shed.” Fortunately for Eliska (now known as Hana), her husband Joza (Gyorgi Cserhalmi) says “she is one of us” when questioned.

The film, set in 1942, is based on the novel and short stories about the town of Zelary by Kveta Legatova, who died only last year at the age of 93—a witness, obviously, to the chaotic and tragic history of the region.

Czechoslovakia came into being as an independent republic in 1918 when the victorious powers carved up the former Austro-Hungarian Empire after World War I. Under the post-World War II Stalinist regime, it eventually became the Czechoslovak Socialist Republic. Capitalism was restored in 1989 and the country split into the Czech Republic and Slovakia in 1993.

The powerful theme of Zelary is the support of a community and its recognition of common humanity with a stranger in peril. Eliska/Hana’s survival depends wholly on the villagers’ tacit collusion with the fiction of her belonging in Zelary. Even as the Nazis call the villagers out of church to witness the execution of someone for “hiding an enemy of the Reich,” they do not give her up. Whatever glimmerings of her past may appear, the villagers protect her, and finally befriend her.

Another theme is the saving friendship of women to another woman in difficulty. One such is Joza’s former lover who provides a room for Eliska on her arrival. Another gives her clothes and dresses her. An old woman, Lucka, a wise “crone,” cures Hana when she is injured. A measure of Hana’s integration into the village is evident in a scene when she sits around the table with a group of women and drinks from the bottle with them, as they string beads, sing and laugh.

A village boy, Lipka, is the son of Hana’s new friend, Zena, remarried to a drunk who beats him and chases him out of the house. The boy hides in a swamp hut, where he is visited only by the old crone, who brings him food, and the little girl, Helenka, whose function in the film is ingenious; she wanders everywhere with her grazing goat and observes actions she conveys to villagers, such as the attack on Hana by a drunk at the sawmill, leading to pursuit and rescue by Joza.

Throughout the film the actions take place in beautiful mountainous settings where the unthinkable looms up suddenly. Hana becomes lost gathering berries on the green hills, and comes upon three corpses hanging from a tree, the nearby cottage still smoking. Partisans discovered. But the director’s view of the conflict is honest: the partisan army, when it appears, is far from ideal; drunk, quarrelsome and quick to shoot. The ragged group rampages and moves on and the remaining villagers move to Lipka’s swamp for eventual liberation.

Why is this 10-year-old film relevant today? Because it is the story of a real, not manufactured, struggle to survive, with believable people, not super-heroes, and an enemy whose malevolent presence is felt overall, erupting in short bursts of violence: the hangings, the execution. The enemy is a real, not a fictional evil. Under this oppression, genuine character is revealed. Hana, Joza, Zena, the boy Lipka and the crone Lucka are the heroes whose actions save what can be saved.

Czech Lion awards went to the leading actors in Zelary, and as well as an international award for the director, Ondrej Trojan. The film qualified as a nominee for Best Foreign Language Film at the 76th Academy Awards in 2005.