Argentine composer Ariel Ramirez dies


This music video is La Misa Criolla, sung by Mercedes Sosa.

From the Washington Post in the USA:

Ariel Ramirez dies; Argentine composer wrote ‘Misa Criolla’

Argentine pianist and composer Ariel Ramírez’s career spanned seven decades.

By Adam Bernstein
Washington Post Staff Writer

Sunday, February 21, 2010

Argentine pianist and composer Ariel Ramírez, 88, who died of a neurological condition Feb. 18 in Buenos Aires, wrote his signature work “Misa Criolla” (Creole Mass) in the early 1960s, just as the Second Vatican Council permitted the celebration of the Catholic Mass in the vernacular.

“Misa Criolla,” widely regarded as a stunning artistic achievement, combined Spanish text with indigenous instruments and rhythms. Its effect is that of a reverent carnival, and it has sold millions of albums and been performed countless times across the world by artists including opera star José Carreras and Latin American folklore singer Mercedes Sosa.

For all its verve, “Misa Criolla” had its origins in a post-Holocaust visit to Germany. “I felt that I had to compose something deep and religious that would revere life and involve people beyond their creeds, race, color or origin,” the composer told the Jerusalem Post. He added in another interview that the song was a tribute to human dignity, courage and freedom, with a distinct message of “Christian love.”

Mr. Ramírez’s career spanned seven decades and reportedly hundreds of compositions, many like “Misa Criolla” in collaboration with the late Argentine author, diplomat and lyricist Félix Luna. They worked together on “Mujeres Argentinas” (Argentine Women), an ode to women active in the country’s liberation and later cultural development, and “Cantata Sudamericana” (South American Cantata), both of which were hits for Sosa in the late 1960s and early 1970s.

He and Luna also wrote a stirring musical “Los Caudillos,” about early Argentine and Uruguayan strongmen, that won them work scoring a 1968 Argentine film about the fictional gaucho rebel Martín Fierro, based on a celebrated epic poem. In addition to his compositions, Mr. Ramírez held a prominent public role as the longtime secretary-general of the Argentine Society of Authors and Composers, an organization that guards the publication and performance rights of writers and musicians.

Mr. Ramírez was born Sept. 4, 1921, in Santa Fe, a province in northeastern Argentina. He was expected to follow his father into teaching, he told the publication Americas, “but in my first job as a fourth-grade teacher in Santa Fe I lasted two days. I couldn’t say no to those schemers. I had discipline problems.”

Instead, he followed his passion for music — initially tango but then his country’s folklore tradition. One of his earliest mentors was Atahualpa Yupanqui, the popular Argentine folklore musician, who paid Mr. Ramírez’s way to travel and study regional music of the country’s north and west.

By 1943, Mr. Ramírez was playing with Yupanqui in Buenos Aires and on the radio. …

The popular success of “Misa Criolla” established Mr. Ramírez’s name in concert halls around the world, and he told the New York Times that he felt pressured by “the church, my friends and the public” to write a second mass in the same spirit. The result was “Misa por la Paz y la Justicia” (Mass for Peace and Justice), with liturgical texts by Luna and Osvaldo Catena.

The newer work, finished about 1980, featured folklore rhythms such as the zamba and chacarera, along with Spanish choral harmonies. Mr. Ramírez said he considered it “a more ambitious work,” both compositionally and morally, than “Misa Criolla.”

“I believe this combination makes us ponder the meanings of the words ‘peace’ and ‘justice’ — peace as the only way to live together and justice as a binding between the people of the world,” he told the Jerusalem Post. “Without this peace and justice, it would be impossible to compose, paint, write and enjoy all the gifts God has given us in life to share with our children and friends.”

Mr. Ramírez was married to Inés Cuello de Ramirez, and they had two sons.

Latin America: US war on horizon? Here.

Poetry and music


On 23 February, there was poetry and music in the theatre.

The music was by PaPedoN GuFuS. Two women on vocals and keyboards (one Roland and one Korg), singing their own songs. Their third song’s title was their band name.

This music video is Pardon My French (Live) – PaPeDoN GuFuS.

Then, the presentation of a new poetry book.

Four poets who had contributed to the book, read poems.

First, Pit van Nes, with poems about her mother and getting older.

Then Susanne Metaal, with poems on her mother; the female beauty myth and business; and the environment.

Then, Wijnand Noot, with a sonnet, a poem on computers and love, and one about language.

Then, Frans Terken with poems about Berlin and spring.

After the pause, yours truly with a column/poem on the local elections and the Afghan war.

Then, piano music and singing by Hilbert Elsinga, a criminology student.

Finally, a second set by PaPedoN GuFuS.