Pentagon refuses to clean up its pollution


This video from the USA is called Iraq Veterans Against the War DC & Ft Meade Outreach.

From the Washington Post in the USA:

Pentagon Fights EPA On Pollution Cleanup

Monday 30 June 2008

by: Lyndsey Layton, The Washington Post

The Defense Department, the nation’s [and the world's] biggest polluter, is resisting orders from the Environmental Protection Agency to clean up Fort Meade and two other military bases where the EPA says dumped chemicals pose “imminent and substantial” dangers to public health and the environment.

The Pentagon has also declined to sign agreements required by law that cover 12 other military sites on the Superfund list of the most polluted places in the country. The contracts would spell out a remediation plan, set schedules, and allow the EPA to oversee the work and assess penalties if milestones are missed.

Spanish-Egyptian underwater search for pharaoh’s sarcophagus


This video is about the pyramids of Giza in Egypt (including Menkaure’s pyramid).

From Egyptology News:

An underwater robot will be used to search for the sarcophagus of ancient Egyptian Pharaoh Menkaure of more than 4,500 years ago off the Spanish coasts, the Egyptian MENA news agency reported on Saturday.

Egyptian and Spanish archeologists will launch the search in the historical city of Cartagena at the depths of the sea with the help of the hi-tech equipped robot, Egyptian Secretary General of Egyptian Supreme Council for Antiquities, Zahi Hawwas, was quoted by MENA as saying.

The merchant ship Beatrice carrying the sarcophagus of the ancient Egyptian king along with other antiquities sank off Cartagena in the early 19th century en route from Egypt to Britain, where some scientific studies were supposed to be conducted on them, Hawwas said.

Egypt and Spain will cooperate in a joint venture to locate the sarcophagus of Menkaure, the 5th king of the 4th Dynasty of Egypt who ruled from 2,551 BC to 2,523 BC.

Egyptology Resources: here.

Plaster copies of Greek and Roman sculpture


This is a BBC video from Britain, about ancient Greek sculpture.

The antiquities museum says about one of its present non permanent exhibitions, Models of beauty. Masterpieces in plaster:

13 June through 16 November 2008

This exhibition shows beautiful 17th, 18th and 19th century plaster casts of the finest sculptures of Antiquity. The timeless beauty of classical sculpture is the focal point of this exhibition. Further attention is paid to the role played by plaster casts in science, art criticism and art education in the past four hundred years.

Today Dr Ruurd Halbertsma of the museum showed us around this exhibition.

He started with talking about Rome, as in that city, in the sixteenth century, were the origins of copying sculptures from antiquity. When, early in that century, visitors came to Rome, they might know from writings that during antiquity, there had been many sculptures in public places. However, when they visited the city, they saw only a few sculptures said to have survived from the Roman empire or earlier: the she-wolf of Capitol hill; the Marcus Aurelius statue; Trajan’s Column.

When, while building churches or other buildings in medieval Rome, sculptures or parts of them from antiquity had been found, they had been recycled as building material. After 1500, however, people found out that discoveries like these might add to knowledge about antique art. In this way, new sculptures which became famous, were found, like the Laocoön group and the Apollo of the Belvedere. They attracted many artists and other visitors from many European countries to Rome.

The popes and other élite people from the papal state sometimes, as a favour, started giving plaster copies of antique sculptures to princes in other countries. One example was Trajan’s column, a copy of which was given to King Louis XIV of France. In 1824, these plaster copies were found in a windmill in Leiden. the Netherlands. It is not known how they had ended up there. As, since the seventeenth century, in the open air of Rome, the original Trajan’s column has suffered much from pollution, these plaster copies are today valuable, as they show details which are no longer clear in the original.

In the exhibition are also cork models of ancient Roman buildings, which used to be sold to tourists. And reproductions of idealized paintings of ancient Roman remains, by the neo-classicist Giovanni Paolo Panini (1692 – 1765).

During the eighteenth century, drawing academies, based on neo-classicist views, arose in many countries. First, the students had to learn to draw skeletons and muscles for human anatomy. Then, they had to make drawings of Greek and Roman sculptures, considered as models of perfect human bodies. Only after that did they draw nude human models, with bodies not as perfect as antique sculptures.

Among the plaster copies often found in drawing academies were the Venus of Arles. And the “Borghese gladiator” which does not really depicts a gladiator, as gladiators did not fight while naked. The nude statue probably depicts a hero.

The Venus of Arles was considered the ideal female form, until 1820, when the Venus de Milo was discovered in Greece.

One of the drawings, depicting a statue of the Greek god Apollo, at the exhibition, is by nineteenth century drawing academy student, later famous painter, George Hendrik Breitner.

When female students had to draw plaster copies of statues, fig leaves were attached to prevent the women from seeing male genitalia.

Certainly since the 1960s in the Netherlands, neo-classicist ideas in art education became weaker. For the plaster copies, that often meant they were hidden away or even destroyed.

In the sixteenth century, mainly Roman sculpture and Roman copies of Greek sculpture had become known in western Europe. In the early nineteenth century, for the first time, classical Greek sculpture became widely known. Eg, after the Parthenon marbles arrived in London. People had difficulty in getting used to them. The poet John Keats was one of not very many people admiring the Marbles right from the start. While fellow poet Lord Byron attacked Lord Elgin for taking the sculpture from Athens. More about Byron: here.

When sculpture from the Aegina temple, still older than the Parthenon, became first known in Germany, famous author Goethe did not like it, as it did not conform to his preconceived ideas of what Greek art should be.

Bronze Horse Head Hints at Roman Ambitions in Germany: here.

MSU art professor’s theory about ancient decorating choices casts new light on Roman paintings: here.