The Shroud of Turin fake


This video is called The radiocarbon dating of the Shroud of Turin.

From Kris’s Archaeology Blog in the USA:

Experimental Archaeology and the Shroud of Turin

The Shroud of Turin is really a neat artifact. Seriously. The ‘shroud’ (as if you didn’t already know) is a sheet of linen cloth impressed with the three-dimensional front and back image of a six-foot tall man in red stains. The shroud was first exhibited in public in the 14th century AD by the French knight Geoffrey de Charny; it was also denounced as a forgery that same year, by Bishop Pierre d’Arcis of Troyes.

Some people are of the steadfast belief that the shroud represents the burial cloth of Jesus of Nazareth, the founder of the Christian church; but all radiocarbon dates and scientific testing to date have returned medieval dates. The theory of most scientists and historians is that the shroud was created by an artist in the 14th century using a model who was coated in a combination of red ochre and vermilion, a paint combination commonly used in the middle ages. Whether the original intention was a work of secular art, a hoax meant to fool people, or a thoughtful religious relic made by a follower of Jesus, isn’t really available to us today.

The discovery that all five radiocarbon dates were in the 14th century was a setback for those who believe in its direct association with Jesus; and some have argued that the dates were affected by a fire which added carbon monoxide to the fabric. John Jackson, director of the Turin Shroud Center of Colorado and the University of Oxford Radiocarbon Accelerator Unit conducted additional work in an attempt to identify if carbon monoxide might have been a factor in the dates. What they did was experimental archaeology–Dr. Jackson’s center subjected modern linen cloth to very high levels of carbon monoxide; and the ORAU monitored the effects.

The results–that exposure to even the highest carbon monoxide levels does not affect modern linen at all–were communicated in a BBC2 documentary this past week.

Dutch Jews condemn anti Muslim hysteria


This is a video of an anti racism demonstration in Amsterdam, the Netherlands, 22 March 2008.

By Cnaan Liphshiz, in Israeli daily Haaretz:

The newly-released anti-Islam film by right-wing Dutch legislator Geert Wilders drew condemnations from the Netherlands’ Central Jewish Board, which Friday called the film’s focus on anti-Jewish preachings by Muslims “counterproductive” and “generalizing.” …

In a statement following the film’s online release, the board said that Wilders – the leader of the Party for Freedom – was guilty of serious generalizations. “Wilders presented demographics on the increase of Muslims in Europe with pictures from scenes of terrorist attacks, suggesting all Muslims are potential terrorists,” head of the Hague-based Center for Information and Documentation on Israel, Dr. Ronny Naftaniel, Saturday told Haaretz.

While the anti-Semitic material Wilders compiled “demonstrates some Muslims have terrible ideas about Jews,” the way Fitna portrays reality serves to “polarize Dutch society,” the board said, adding this was counterproductive to the fight against extremism.

See also here. And here.

Several Muslim parties will participate in Dutch municipal elections on March 3. But in spite of a sizable Muslim electorate, they have so far been unable to garner many votes: here.

This video, ‘Stop the clash of civilizations’, was voted Best political YouTube video.

GORDON PARSONS finds a senior CIA veteran demanding a more brutal assault on Islam: here.

Ex Clash bass guitarist Simonon now a painter


This music video is called The Clash - “The Guns of Brixton” [written by Paul Simonon] (Live).

From British weekly The Observer:

When the Clash parted company in 1986, bassist Paul Simonon went back to his first love: art. …

When the London punk scene began in 1976, Simonon was a fledgling painter, fresh from Byam Shaw art college which, back then, was just up the road in Notting Hill. In the spirit of the times, he bought a bass guitar which he drip-painted in the style of Jackson Pollock and learned how to play by writing out the chords and sticking them on to the instrument’s neck.

Thirty years on, he describes himself as ‘a painter who occasionally dabbles in music’. His most recent bout of dabbling, though, led to a number one album as part of the Damon Albarn-orchestrated supergroup, the Good, the Bad and the Queen. ‘It’s done and dusted,’ he says of that project, but later lets slip that the group are in negotiations to play a big benefit for the newly reignited Rock Against Racism campaign. The gig is scheduled for 27 April in Victoria Park, east London, where, 30 years ago, the Clash rocked against racism before 100,000 people.

‘I can dip in and out of music when I feel like it,’ says Simonon, ‘but it’s not my life any more. There was a point after the whole intensity of the Clash finally subsided when I just found that painting grounded me in a way that music didn’t.’ …

Paul Gustave Simonon was born in Brixton, south London in 1955, and grew up, as he puts it, ‘all over the place – Brixton, Ramsgate, Canterbury, Thornton Heath, Bury St Edmunds, Ladbroke Grove’. His mother was a librarian and he describes his father, Gustave, as ‘a Sunday painter. Literally.’ Simonon senior also seems to have been quite a character. He went AWOL from the army having served in Kenya during the time of the Mau Mau rebellion. ‘I think he saw some bad things,’ says Simonon, ‘and was haunted by them for a long time afterwards.’

How the Clash started: here.

Clash stars Mick Jones and Topper Headon have recorded together for the first time in 27 years in aid of an organisation which supplies musical instruments to prison inmates: here.

See also, by Tom Robinson, here.

RIP: Ray Lowry – Clash “War Artist”: here.

Sandinista by the Clash: here. And here.

Light pollution threatens Malta shearwaters


This video is called The EU LIFE Yelkouan Shearwater Project.

From Wildlife Extra:

Malta has around 10% of the world’s population of Yelkouan (Levantine) Shearwaters, a seabird that nests in cliffs around the island. The findings of a new report show that light pollution on the islands is increasingly becoming a problem and has been driving the shearwaters out of their nesting sites.

The report was carried out by project partners Helen Raine (BirdLife Malta) and John J. Borg (Heritage Malta) and focused on assessing light pollution near the shearwater colonies in the cliffs, particularly at the project site of Rdum tal-Madonna, L-Ahrax tal-Mellieha. It also suggests simple, practical ways to reduce this modern scourge.

Bird slaughter in Malta: here. And here. And here.

Malta Conservation Volunteers Face Increasing Threats and Attacks: here.

Polarized Light Leads Animals Astray: ‘Ecological Traps’ Cause Animal Behaviors That Can Lead To Death: here. And here.

Light pollution is killing off Britain’s insect populations: here.

Street lighting is changing insect ecosystems in towns and cities, a study has found: here.